Gardoni, a down-on-his-luck vaudeville performer, is taken in by a fellow performer, a clown who has a bicycle riding act. Gardoni shows his appreciation by stealing the clown’s act and his girlfriend, whom he marries.
Mordaunt Hall, film critic of the New York Times, praised the performances of Powell (“excellent”), Wray (“pleasing”), Skelly (“goes about his part with earnestness and intelligence”), and Francis (“does nicely”), but noted “the story is rather limp and disappointing.”[1]
Cast: Walter Huston, Kay Francis, Charles Ruggles, Betty Lawford, Norman Foster, Duncan Penwarden, Lawrence Leslie, Harry Lee, Brian Donlevy, Victor Killian
80 min
Gentlemen of the Press is a 1929 all-talking film starring Walter Huston in his first feature film role and Kay Francis in her first film role. The film still survives. This film’s copyright has expired and it is now in the public domain. It survives in a copy sold to MCA for television distribution.[1]
The film is based on Ward Morehouse’s 1928 Broadway play Gentlemen of the Press.[2]
Marya is the wife of medical student Victor Sablin, who finds it impossible to deal with military life when he is inducted into the Russian army during World War I. With her husband is sentenced to death by firing squad due to his insubordination, Marya offers herself to General Gregori Platoff in order to save him. When the two unexpectedly fall in love, Victor — not caring that his life has been spared — threatens to kill his rival. His determination to eliminate the general falters when Marya confesses she is not in love with her husband — and never was.
Mordaunt Hall of the New York Times called the film “a clever comedy with a splendid performance by Walter Huston” and added, “There is a constant fund of interest in this picture’s action. It is one of those rare offerings in which youth takes a back seat.[1]
George Cukor’s reflection in 1972
In the book On Cukor, director George Cukor confided to biographer Gavin Lambert: “It wasn’t much good. I’d be in great shock if they [film restorationists & historians] rescued this one. I remember that I enjoyed working with Kay Francis and Walter Huston, though.”[2]
Preservation status
A complete print of this film is held by the UCLA Film and Television Archive. However, the UCLA archive’s website says the print is too shrunken for projection.[3]
Jump up^Parish, James Robert; Mank, Gregory W.; Stanke, Don E. (1978), The Hollywood Beauties, New Rochelle, New York: Arlington House Publishers, p. 73, ISBN0-87000-412-3
The plot of the film is based on the 1922 play Rain by John Colton and Clemence Randolph, which in turn was based on the short story “Miss Thompson” (later retitled “Rain”) by W. Somerset Maugham.
A westbound ship en route to Apia, Samoa, is temporarily stranded at nearby Pago Pago due to a possible cholera outbreak on board. Among the passengers are Alfred Davidson, a self-righteous missionary, his wife, and Sadie Thompson, a prostitute. Thompson passes the time partying and drinking with the American Marines stationed on the island. Sergeant Tim O’Hara, nicknamed by Sadie as “Handsome”, falls in love with her.
Her wild behavior soon becomes more than the Davidsons can stand and Mr. Davidson confronts Sadie, resolving to save her soul. When she dismisses his offer, Davidson has the Governor order her deported to San Francisco, California, where she is wanted for an unspecified crime (for which she says she was framed).
She begs Davidson to allow her to remain on the island a few more days – her plan is to flee to Sydney, Australia. During a heated argument with Davidson, she experiences a religious conversion and agrees to return to San Francisco and the jail sentence awaiting her there.
The evening before she is to leave, Sergeant O’Hara asks Sadie to marry him and offers to hide her until the Sydney boat sails, but she refuses. Later, while native drums beat, the repressed Davidson satisfies his lust with Sadie. The next morning he is found dead on the beach – a suicide. Davidson’s hypocrisy and betrayal cause Thompson to return to her old self and she goes off to Sydney with O’Hara to start a new life.
Rain was not well received – either critically or financially – upon initial release. The unglamorous role for Crawford, and bold story (religious hypocrisy being its main theme), caught Depression-era audiences off guard.
Motion Picture Herald commented, “Because the producers have made such a strong attempt to establish the stern impressiveness of the story, it is rather slow. In its drive to become powerful, it appears to have lost the spark of spontaneity….Joan Crawford and Walter Huston are satisfactory.”
Variety noted, “It turns out to be a mistake to have assigned the Sadie Thompson role to Miss Crawford. It shows her off unfavorably. The dramatic significance of it all is beyond her range…. [Director] Milestone tried to achieve action with the camera, but wears the witnesses down with words.
Joan Crawford’s get-up as the light lady is extremely bizarre. Pavement pounders don’t quite trick themselves up as fantastically as all that. In commercial favor of Rain is the general repute of the theme and Miss Crawford’s personal following, but the finished product will not help either.”
Box office
The film earned $538,000 in the United States and Canada and $166,000 elsewhere, resulting in a loss of $198,000.
Film Dialogue 
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