Prepared by Daniel B Miller

Ellen Miriam Hopkins

^{(October 18, 1902 – October 9, 1972) was an American film and TV actress known for her versatility.}

She first signed with Paramount in 1930, working with Ernst Lubitsch and Joel McCrea, among many others. Her long-running feud with Bette Davis was publicized for effect.

Later she became a pioneer of TV drama. Hopkins was a distinguished Hollywood hostess, who moved in intellectual and creative circles.

Miriam Hopkins in Dr Jekyll and Mr Hyde (1931)

Early life

Hopkins was born in Savannah, Georgia ^{to Homer Hopkins and Ellen Cutler and raised in} Bainbridge^{, near the Alabama border. She had an older sister, Ruby (1900-1990). Her maternal great-grandfather, the fourth mayor of Bainbridge, helped establish St. John’s Episcopal Church, in} Bainbridge^{, where Hopkins sang in the choir.}

In 1909, she briefly lived in Mexico. After her parents separated, she moved as a teen with her mother to Syracuse, New York^{, to be near her uncle, Thomas Cramer Hopkins, head of the Geology Department at Syracuse University.}

She attended Goddard Seminary in Barre, Vermont (which later became Goddard College in Plainfield, Vermont) and Syracuse University ^{(in New York). She became estranged from her father, and when in 1922 at the age of 19 she applied for a passport in preparation for a theatrical tour of South America, she listed his address as “unknown.”}

Career

At age 20, Hopkins became a chorus girl in New York City. In 1930, she signed with Paramount Pictures, and made her official film debut in Fast and Loose. Her first great success was in the 1931 horror drama film Dr. Jekyll and Mr. Hyde, in which she portrayed the character Ivy Pearson^{, a prostitute who becomes entangled with Jekyll and Hyde. Hopkins received rave reviews, but because of the potential controversy of the film and her character, many of her scenes were cut before the official release, reducing her screen time to approximately five minutes.}

Fast and Loose (1930) Poster

Miriam Hopkins in Fast and Loose (1930)

Miriam Hopkins in Fast and Loose (1930)

Dr Jekyll and Mr Hyde (1931) Poster

Dr Jekyll and Mr Hyde (1931) Lobby Card

Dr Jekyll and Mr Hyde (1931) Lobby Card

Dr Jekyll and Mr Hyde (1931) Lobby Card

Fredric March and Miriam Hopkins in Dr Jekyll and Mr Hyde (1931)

Fredric March and Miriam Hopkins in Dr Jekyll and Mr Hyde (1931)

Fredric March Rose Hobart and Miriam Hopkins in Dr Jekyll and Mr Hyde (1931)

Fredric March and Miriam Hopkins in Dr Jekyll and Mr Hyde (1931)

Fredric March and Miriam Hopkins in Dr Jekyll and Mr Hyde (1931)

Fredric March Rose Hobart and Miriam Hopkins in Dr Jekyll and Mr Hyde (1931)

Fredric March and Miriam Hopkins in Dr Jekyll and Mr Hyde (1931)

Fredric March Rouben Mamoulian and Miriam Hopkins on the set of Dr Jekyll and Mr Hyde (1931)

Nevertheless, her career ascended swiftly thereafter and in 1932 she scored her breakthrough in Ernst Lubitsch‘s Trouble in Paradise, where she proved her charm and wit as a beautiful and jealous pickpocket. During the pre-code Hollywood of the early 1930s, she appeared in The Smiling Lieutenant, The Story of Temple Drake and Design for Living, all of which were box office successes and critically acclaimed.

Trouble in Paradise (1932) Poster

Herbert Marshall and Miriam Hopkins in Trouble in Paradise (1932)

Miriam Hopkins and Kay Francis in Trouble in Paradise (1932)

Kay Francis, Herbert Marshall and Kay Francis in Trouble in Paradise (1932)

Miriam Hopkins and Herbert Marshall in Trouble in Paradise (1932)

Trouble in Paradise (1932) Lobby Card

Herbert Marshall and Miriam Hopkins in Trouble in Paradise (1932)

The Smiling Lieutenant (1931) Lobby Card

On the set of The Smiling Lieutenant (1931)

The Smiling Lieutenant (1931) Press Book

The Story of Temple Drake (1933) Poster

The Story of Temple Drake (1933) Lobby Card

The Story of Temple Drake (1933) Lobby Card

Miriam Hopkins and Jack La Rue in The Story of Temple Drake (1933)

Miriam Hopkins in The Story of Temple Drake (1933)

Miriam Hopkins and Jack La Rue in The Story of Temple Drake (1933)

Miriam Hopkins in The Story of Temple Drake (1933)

The Story of Temple Drake (1933) Press Sheet

Miriam Hopkins in The Story of Temple Drake (1933)

Design for Living (1933) Poster

Design for Living (1933) Poster

Design for Living (1933) Lobby Card

Design for Living (1933) Lobby Card

Design for Living (1933) Lobby Card

Gary Cooper and Fredric March in Design for Living (1933)

Fredric March, Miriam Hopkins and Gary Cooper in Design for Living (1933)

 Gary Cooper, Fredric March and Miriam Hopkins in Design for Living (1933)

Design for Living (1933) Lobby Card

Her pre-Code films were considered risqué at the time, with The Story of Temple Drake depicting a rape scene and Design for Living featuring a ménage à trois with Fredric March and Gary Cooper.

She also had success during the remainder of the decade with the romantic comedy The Richest Girl in the World (1934), the historical udrama Becky Sharp (1935), for which she was nominated for the Academy Award for Best Actress, Barbary Coast (1935), These Three (1936) (the first of four films with director William Wyler) and The Old Maid (1939).

The Richest Girl in the World (1934) Poster

Miriam Hopkins in The Richest Girl in the World (1934) 

Joel McCrea and Miriam Hopkins in The Richest Girl in the World (1934) 

Miriam Hopkins in The Richest Girl in the World (1934)

Becky Sharp (1935) Poster

Miriam Hopkins in Becky Sharp (1935)

Becky Sharp (1935) Poster

Becky Sharp (1935) Poster

Miriam Hopkins in Becky Sharp (1935) Production Still

Miriam Hopkins in Becky Sharp (1935) 

Miriam Hopkins in Becky Sharp (1935) 

Becky Sharp (1935) Magazine Cover 

Barbary Coast (1935) Poster

Barbary Coast AKA Port of Wickedness (1935) Lobby Card

Barbary Coast AKA Port of Wickedness (1935) Poster

Barbary Coast AKA Port of Wickedness (1935) Lobby Card

Miriam Hopkins in Barbary Coast AKA Port of Wickedness (1935)  

Miriam Hopkins in Barbary Coast AKA Port of Wickedness (1935)  

These Three (1936) Poster

These Three (1936) Poster

These Three (1936) Production Still

These Three (1936) Poster

These Three (1936) Lobby Cards

These Three (1936) Poster

The Old Maid (1939) Poster

Bette Davis, George Brent and Miriam Hopkins in The Old Maid (1939)

The Old Maid (1939) Poster

The Old Maid (1939) Lobby Card

The Old Maid (1939) Poster

Bette Davis and Miriam Hopkins in The Old Maid (1939) 

Bette Davis, Miriam Hopkins and George Brent in The Old Maid (1939)

The Old Maid (1939) Poster

Hopkins was one of the first actresses approached to play the role of Ellie Andrews in It Happened One Night (1934). However, she rejected the part, and Claudette Colbert ^{was cast instead. She did audition for the role of} Scarlett O’Hara in Gone with the Wind, having one advantage none of the other candidates had: she was a native Georgian. But the part went to Vivien Leigh. Interestingly, both Colbert and Leigh won Oscars for their performances.

Hopkins had well-publicized fights with her arch-enemy Bette Davis (Hopkins believed Davis was having an affair with Hopkins’ husband at the time, Anatole Litvak), when they co-starred in their two films The Old Maid (1939) and Old Acquaintance^(1943).

^{Davis admitted to enjoying very much a scene in} Old Acquaintance in which she shakes Hopkins forcefully during a scene where Hopkins’ character makes unfounded allegations against Davis’s. There were even press photos taken with both divas in a boxing ring with gloves up and director Vincent Sherman between the two. Davis described Hopkins as a “terribly good actress” but also “terribly jealous” in later interviews.

Old Acquaintance (1943) Poster 

Miriam Hopkins in Old Acquaintance (1943) 

Old Acquaintance (1943) Poster 

Old Acquaintance (1943) Poster 

Miriam Hopkins and Bette Davis in Old Acquaintance (1943) 

Old Acquaintance (1943) Lobby Card

Bette Davis and Miriam Hopkins in Old Acquaintance (1943) 

Old Acquaintance (1943) Lobby Card

After Old Acquaintance, Hopkins did not work again in films until The Heiress (1949), where she played the lead character’s aunt. In Mitchell Leisen‘s 1951’s comedy The Mating Season, she gave a comic performance as Gene Tierney‘s character’s mother. She also acted in The Children’s Hour, which is the theatrical basis of her film These Three (1936). In the remake, she played the aunt to Shirley MacLaine, who took Hopkins’ original role.

The Heiress (1949) Poster

The Heiress (1949) Lobby Card

The Heiress (1949) Lobby Card

The Heiress (1949) Lobby Cards

The Mating Season (1951) Poster

Gene Tierney and Miriam Hopkins in The Mating Season (1951) 

The Children’s Hour (1961) Poster

Hopkins was a television pioneer, performing in teleplays in three decades, spanning the late 1940s through the late 1960s, in such programs as The Chevrolet Tele-Theatre (1949), Pulitzer Prize Playhouse (1951), Lux Video Theatre (1951–1955), The Outer Limits (1964) and even an episode of The Flying Nun in 1969.

She has two stars on the Hollywood Walk of Fame: one for motion pictures at 1701 Vine Street, and one for television at 1708 Vine Street.

Miriam Hopkins

The Playhouse Theatre Programme

Private life

Hopkins was married and divorced four times: first to actor Brandon Peters, second to aviator, screenwriter Austin Parker, third to the director Anatole Litvak, and fourth to war correspondent Raymond B. Brock. In 1932, Hopkins adopted a son, Michael T. Hopkins (March 29, 1932 – October 5, 2010).

Brandon Peters

Austin Parker

Anatole Litvak

Miriam Hopkins and Anatole Litvak

Miriam Hopkins and Anatole Litvak

She was known for hosting elegant parties. John O’Hara, a frequent guest, noted that

^{most of her guests were chosen from the world of the intellect…Miriam knew them all, had read their work, had listened to their music, had bought their paintings. They were not there because a secretary had given her a list of highbrows.}

She was a staunch Democrat who strongly supported the presidency of Franklin D. Roosevelt^.

Death

Hopkins died in New York City from a heart attack nine days before her 70th birthday. She is buried in Oak City Cemetery in Bainbridge, Georgia.

Miriam Hopkins Grave

Filmography

Short Subjects:

• “The Home Girl” (1928)
• “Hollywood on Parade No. B-1” (1933)

References