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Joan Blondell


Joan Blondell 3

Prepared by Daniel B Miller

Rose Joan Blondell (August 30, 1906 – December 25, 1979) was an American actress who performed in movies and on television for half a century.

After winning a beauty pageant, Blondell embarked upon a film career. Establishing herself as a sexy, wisecracking blonde, she was a Pre-Code staple of Warner Bros. pictures and appeared in more than 100 movies and television productions. She was most active in films during the 1930s, and during this time, she co-starred with Glenda Farrell in nine films, in which the duo portrayed gold-diggers. Blondell continued acting in major film roles for the rest of her life, often in small character roles or supporting television roles. She was nominated for an Academy Award for Best Supporting Actress for her work in The Blue Veil (1951).

Blondell was seen in featured roles in two films — Grease (1978) and The Champ (1979) — released shortly before her death from leukemia.

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Early life

Rose Joan Blondell was born in New York to a vaudeville family; she gave her birthdate as August 30, 1909. Her father, Levi Bluestein, a vaudeville comedian known as Ed Blondell, was born in Poland to a Jewish family in 1866.

He toured for many years starring in Blondell and Fennessy’s stage version of The Katzenjammer Kids. Blondell’s mother was Catherine (known as “Kathryn” or “Katie”) Caine, born in BrooklynKings County, New York (later Brooklyn, New York City) on April 13, 1884, to Irish-American parents. Joan’s younger sister, Gloria Blondell, also an actress, was briefly married to film producer Albert R. Broccoli. The Blondell sisters had a brother, Ed Blondell, Jr.

Joan’s cradle was a property trunk as her parents moved from place to place and she made her first appearance on stage at the age of four months when she was carried on in a cradle as the daughter of Peggy Astaire in The Greatest Love. Her family comprised a vaudeville troupe, the “Bouncing Blondells”.

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Joan had spent a year in Honolulu (1914–15) and six years in Australia and had seen much of the world by the time her family, who had been on tour, settled in DallasTexas, when she was a teenager.

Under the name Rosebud Blondell, she won the 1926 Miss Dallas pageant, was a finalist in an early version of the Miss Universe pageant in May 1926, and placed fourth for Miss America 1926 in Atlantic CityNew Jersey, in September of that same year.

She attended Santa Monica High School, where she acted in school plays and worked as an editor on the yearbook staff. While there (and after high school), she gave her name as Rosebud Blondell, such as when she attended North Texas State Teacher’s College (1926–1927), now the University of North Texas in Denton, where her mother was a local stage actress.

Career

 

Around 1927, she returned to New York, worked as a fashion model, a circus hand, a clerk in a store, joined a stock company to become an actress, and performed on Broadway.

In 1927, the actress made her Broadway debut with a small role in “The Trial of Mary Dugan.” 

In 1930, she starred with James Cagney in her third play, Penny Arcade on Broadway. Penny Arcade lasted only three weeks, but Al Jolson saw it and bought the rights to the play for $20,000. He then sold the rights to Warner Bros., with the proviso that Blondell and Cagney be cast in the film version, then renamed Sinners’ Holiday (1930).

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Penny Arcade (1930)

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Sinner’s Holiday (1930)

Placed under contract by Warner Bros., she moved to Hollywood, where studio boss Jack L. Warner wanted her to change her name to “Inez Holmes”, but Blondell refused. She began to appear in short subjects and was named as one of the WAMPAS Baby Stars in 1931.

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1931 WAMPAS Baby Stars- L to R - Mae Madison, Evelyn Knapp, Marian Marsh, Polly Waters, Joan Blondell, Lilian Bond

Wampas Baby Stars  (1931)

Blondell was paired several more times with James Cagney in films, including The Public Enemy (1931), and she was one-half of a gold-digging duo with Glenda Farrell in nine films.

During the Great Depression, Blondell was one of the highest-paid individuals in the United States. Her stirring rendition of “Remember My Forgotten Man” in the Busby Berkeley production of Gold Diggers of 1933, in which she co-starred with Dick Powell and Ruby Keeler, became an anthem for the frustrations of unemployed people and the government’s failed economic policies.

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The Public Enemy (1931)

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Gold Diggers of 1933

In the years that folowed, Joan Blondell made almost 50 films, with  1930s being the most productive period of her career. Some of the most successful included Night Nurse (1931),  The Greeks had a Word for Them (1932), The Crowd Roars (1932), Three on a Match (1932), Footlight Parade (1933), We’re in the Money (1935), Bullets or Ballots (1936), Three Men on a Horse (1936),  and Stand‐In (1937).

In most of these films she appeared as the wisecracking working girl who was the lead’s best friend. In gangster films and musicals she was mostly the second lead.

Often cast opposite the era’s leading male stars, she appeared  frequently opposite Mr. Cagney (seven times) and Dick Powell (also seven times)

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Night Nurse (1931)

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The Greeks had a Word for Them (1932)

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The Crowd Roars (1932)

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Three on a Match (1932)

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Footlight Parade (1933)

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We’re in the Money (1935)

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Bullets or Ballots (1936)

In 1937, she starred opposite Errol Flynn in The Perfect Specimen. By the end of the decade, she had made nearly 50 films. She left Warner Bros. in 1939.

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The Perfect Specimen (1937)

In 1943, Blondell returned to Broadway as the star of Mike Todd’s short-lived production of The Naked Genius, a comedy written by Gypsy Rose Lee.

She was well received in her later films, despite being relegated to character and supporting roles after 1945, when she was billed below the title for the first time in 14 years in Adventure, which starred Clark Gable and Greer Garson.

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The Naked Genius (1943)

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Adventure (1945)

She was also featured prominently in A Tree Grows in Brooklyn (1945) and Nightmare Alley (1947).

In 1948, she left the screen for three years and concentrated on theater, performing in summer stock and touring with Cole Porter‘s musical, Something for the Boys. She later reprised her role of Aunt Sissy in the musical version of A Tree Grows in Brooklyn for the national tour, starred opposite Tallulah Bankhead in the play Crazy October (which closed on the road) and played the nagging mother, Mae Peterson, in the national tour of Bye Bye Birdie.

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A Tree Grows in Brooklyn (1945)

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Nightmare Alley (1947)

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Crazy October (1948) with Tallullah Bankhead and Estelle Winwood

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Bye Bye Birdie (1949)

Blondell returned to Hollywood in 1950. Her performance in her next film, The Blue Veil (1951), earned her an Academy Award nomination for Best Actress in a Supporting Role.  She played supporting roles in The Opposite Sex (1956), Desk Set (1957), and Will Success Spoil Rock Hunter? (1957).

She received considerable acclaim for her performance as Lady Fingers in Norman Jewison‘s The Cincinnati Kid (1965), garnering a Golden Globe nomination and National Board of Review win for Best Supporting Actress. John Cassavetes cast her as a cynical, aging playwright in his film Opening Night (1977).

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The Blue Veil (1951)

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OPPOSITE SEX, THE

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The Opposite Sex (1956)

Blondell was widely seen in two films released not long before her death – Grease (1978), and the remake of The Champ (1979) with Jon Voight and Rick Schroder. She also appeared in two films released after her death – The Glove (1979), and The Woman Inside (1981).

 

Blondell also guest-starred in various television programs, including three 1963 episodes as the character Aunt Win in the CBS sitcom The Real McCoys, starring Walter Brennan and Richard Crenna.

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Grease (1978)

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THE CHAMP, Joan Blondell, 1979, (c) MGM

The Champ (1979)

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The Glove (1979)

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The Woman Inside (1981)

Also in 1963, Blondell was cast as the widowed Lucy Tutaine in the episode, “The Train and Lucy Tutaine”, on the syndicated anthology seriesDeath Valley Days, hosted by Stanley Andrews. In the story line, Lucy sues a railroad company, against great odds, for causing the death of her cow. Noah Beery Jr., was cast as Abel.

In 1964, she appeared in the episode “What’s in the Box?” of The Twilight Zone. She guest-starred in the episode “You’re All Right, Ivy” on Jack Palance‘s circus drama, The Greatest Show on Earth, which aired on ABC in the 1963–64 television season. Her co-stars in the segment were Joe E. Brown and Buster Keaton.

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What is in the Box – Twilight Zone (1964)

In 1965, she was in the running to replace Vivian Vance as Lucille Ball’s sidekick on the hit CBS television comedy series The Lucy Show. Unfortunately, after filming her second guest appearance as Joan Brenner (Lucy’s new friend from California), Blondell walked off the set right after the episode had completed filming when Ball humiliated her by harshly criticizing her performance in front of the studio audience and technicians.

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The Lucy Show (1965)

Blondell continued working on television. In 1968, she guest-starred on the CBS sitcom Family Affair, starring Brian Keith. She replaced Bea Benaderet, who was ill, for one episode on the CBS series Petticoat Junction. In that installment, Blondell played FloraBelle Campbell, a lady visitor to Hooterville, who had once dated Uncle Joe (Edgar Buchanan) and Sam Drucker (Frank Cady).

That same year, Blondell co-starred in all 52 episodes of the ABC Western series Here Come the Brides, set in the Pacific Northwest of the 19th century. Her co-stars included singer Bobby Sherman and actor-singer David Soul. Blondell received two consecutive Emmy nominations for outstanding continued performance by an actress in a dramatic series for her role as Lottie Hatfield.

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Here Come the Brides (1968)

In 1971, she followed Sada Thompson in the off-Broadway hit The Effect of Gamma Rays on Man-in-the-Moon Marigolds, with a young Swoosie Kurtz playing one of her daughters.

 

In 1972, she had an ongoing supporting role in the NBC series Banyon as Peggy Revere, who operated a secretarial school in the same building as Banyon’s detective agency. This was a 1930s period action drama starring Robert Forster in the title role. Her students worked in Banyon’s office, providing fresh faces for the show weekly. The series was replaced midseason.

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Banyon (1972)

In 1974, Blondell played the wife of Tom D’Andrea‘s character in the television film, Bobby Parker and Company, with Ted Bessell in the starring role as the son of Blondell and D’Andrea. Coincidentally, D’Andrea had earlier played Jim Gillis, the television husband of Blondell’s younger sister, Gloria Blondell, in the NBC sitcom The Life of Riley.

Blondell has a motion pictures star on the Hollywood Walk of Fame for her contributions to the film industry. Her star is located at 6311 Hollywood Boulevard. In December 2007, the Museum of Modern Art in New York City mounted a retrospective of Blondell’s films in connection with a new biography by film professor Matthew Kennedy, and theatrical revival houses such as Film Forum in Manhattan have also projected many of her films recently.

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She wrote a novel titled Center Door Fancy (New York: Delacorte Press, 1972), which was a thinly disguised autobiography with veiled references to June Allyson and Dick Powell.

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Center Door Fancy – Joan Blondell Novel (1972)

Personal life

Joan Blondell
circa 1934: Joan Blondell (1903 – 1979), the Hollywood actress signed by Warner Brothers and First National. (Photo by Hulton Archive/Getty Images)

 

Blondell was married three times, first to cinematographer George Barnes in a private wedding ceremony on January 4, 1933, at the First Presbyterian Church in PhoenixArizona. They had one child, Norman Scott Barnes, who became an accomplished producer, director, and television executive known as Norman Powell. Joan and George divorced in 1936.

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Joan Blondell and George Barnes

On September 19, 1936, she married her second husband Dick Powell, an actor, director, and singer. They had a daughter, Ellen Powell, who became a studio hair stylist, and Powell adopted her son by her previous marriage under the name Norman Scott Powell. Blondell and Powell were divorced on July 14, 1944. Blondell was less than friendly with Powell’s next wife, June Allyson, although the two women would later appear together in The Opposite Sex (1956).

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Joan Blondell and Dick Powell

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Dick Powell, Ellen Powell and Joan Blondell
 
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Joan Blondell and Dick Powell in Stage Struck (1936)

On July 5, 1947, Blondell married her third husband, producer Mike Todd, whom she divorced in 1950. Her marriage to Todd was an emotional and financial disaster.

She once accused him of holding her outside a hotel window by her ankles. He was also a heavy spender who lost hundreds of thousands of dollars gambling (high-stakes bridge was one of his weaknesses) and went through a controversial bankruptcy during their marriage.

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Joan Blondell and Mike Todd

An often-repeated myth is that Mike Todd left Blondell for Elizabeth Taylor, when in fact, she had left Todd of her own accord years before he met Taylor.

Death

Blondell died of leukemia in Santa Monica, California, on Christmas Day, 1979, with her children and her sister at her bedside. She is interred in the Forest Lawn Memorial Park Cemetery in Glendale, California.

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Joan Blondell Plate, Forest Lawn Memorial Park Cemetary, Glendale, California

Filmography

Feature films

Year Title Role Notes
1930 The Office Wife Katherine Mudcock [19]
1930 Sinners’ Holiday Myrtle [19]
1931 Other Men’s Women Marie [19]
1931 Millie Angie Wickerstaff [19]
1931 Illicit Helen Dukie Childers [19]
1931 God’s Gift to Women Fifi [19]
1931 The Public Enemy Mamie [19]
1931 My Past Marian Moore [19]
1931 Big Business Girl Pearl [19]
1931 Night Nurse Maloney [19]
1931 The Reckless Hour Myrtle Nichols [19]
1931 Blonde Crazy Ann Roberts [19]
1932 Union Depot Ruth Collins [19]
1932 The Greeks Had a Word for Them Schatze Citroux [19]
1932 The Crowd Roars Anne Scott [19]
1932 The Famous Ferguson Case Maizie Dickson [19]
1932 Make Me a Star Flips Montague [19]
1932 Miss Pinkerton Miss Adams [19]
1932 Big City Blues Vida Fleet [19]
1932 Three on a Match Mary Keaton [19]
1932 Central Park Dot [19]
1933 Lawyer Man Olga Michaels [19]
1933 Broadway Bad Tony Landers [19]
1933 Blondie Johnson Blondie Johnson [19]
1933 Gold Diggers of 1933 Carol King [19]
1933 Goodbye Again Anne Rogers [19]
1933 Footlight Parade Nan Prescott [19]
1933 Havana Widows Mae Knight [19]
1933 Convention City Nancy Lorraine Lost film[19]
1934 I’ve Got Your Number Marie Lawson [19]
1934 He Was Her Man Rose Lawrence [19]
1934 Smarty Vickie Wallace [19]
1934 Dames Mabel Anderson [19]
1934 Kansas City Princess Rosie Sturges [19]
1935 Traveling Saleslady Angela Twitchell [19]
1935 Broadway Gondolier Alice Hughes [19]
1935 We’re in the Money Ginger Stewart [19]
1935 Miss Pacific Fleet Gloria Fay [19]
1936 Colleen Minnie Hawkins [19]
1936 Sons o’ Guns Yvonne [19]
1936 Bullets or Ballots Lee Morgan [19]
1936 Stage Struck Peggy Revere [19]
1936 Three Men on a Horse Mabel [19]
1936 Gold Diggers of 1937 Norma Perry [19]
1937 The King and the Chorus Girl Dorothy Ellis [19]
1937 Back in Circulation Timmy Blake [19]
1937 The Perfect Specimen Mona Carter [19]
1937 Stand-In Lester Plum [19]
1938 There’s Always a Woman Sally Reardon [19]
1939 Off the Record Jane Morgan [19]
1939 East Side of Heaven Mary Wilson [19]
1939 The Kid from Kokomo Doris Harvey [19]
1939 Good Girls Go to Paris Jenny Swanson [19]
1939 The Amazing Mr. Williams Maxine Carroll [19]
1940 Two Girls on Broadway Molly Mahoney [19]
1940 I Want a Divorce Geraldine Brokaw [19]
1941 Topper Returns Gail Richards [19]
1941 Model Wife Joan Keathing Chambers [19]
1941 Three Girls About Town Hope Banner [19]
1942 Lady for a Night Jenny Blake [19]
1942 Cry ‘Havoc’ Grace Lambert [19]
1945 A Tree Grows In Brooklyn Aunt Sissy [19]
1945 Don Juan Quilligan Margie Mossrock [19]
1945 Adventure Helen Melohn [19]
1947 The Corpse Came C.O.D. Rosemary Durant [19]
1947 Nightmare Alley Zeena [19]
1947 Christmas Eve Ann Nelson [19]
1950 For Heaven’s Sake Daphne [19]
1951 The Blue Veil Annie Rawlins Nominated—Academy Award for Best Supporting Actress[19]
1956 The Opposite Sex Edith Potter [19]
1957 Lizzie Aunt Morgan [19]
1957 Desk Set Peg Costello [19]
1957 This Could Be the Night Crystal [19]
1957 Will Success Spoil Rock Hunter? Violet [19]
1961 Angel Baby Mollie Hays [19]
1964 Advance to the Rear Easy Jenny [19]
1965 The Cincinnati Kid Lady Fingers National Board of Review Award for Best Supporting Actress
Nominated—Golden Globe Award for Best Supporting Actress – Motion Picture[19]
1966 Ride Beyond Vengeance Mrs. Lavender [19]
1967 Waterhole #3 Lavinia [19]
1967 Winchester ’73 Larouge TV movie
1967 The Spy in the Green Hat Mrs. “Fingers” Steletto  
1968 Stay Away, Joe Glenda Callahan [19]
1968 Kona Coast Kittibelle Lightfoot [19]
1969 Big Daddy   [19]
1970 The Phynx Ruby [19]
1971 Support Your Local Gunfighter! Jenny [19]
1975 The Dead Don’t Die Levinia TV movie
1976 Won Ton Ton, the Dog Who Saved Hollywood Landlady [19]
1976 Death at Love House Marcella Geffenhart  
1977 The Baron    
1977 Opening Night Sarah Goode Nominated—Golden Globe Award for Best Supporting Actress – Motion Picture[19]
1978 Grease Vi [19]
1979 Battered Edna Thompson NBC TV movie
1979 The Champ Dolly Kenyon [19]
1979 The Glove Mrs. Fitzgerald  
1981 Feud Aunt Coll  

Short films

Year Title Notes
1929 Broadway’s Like That Vitaphone Varieties release 960 (December 1929)
Cast: Ruth EttingHumphrey BogartMary Philips[20]:50
1930 The Devil’s Parade Vitaphone Varieties release 992 (February 1930)
Cast: Sidney Toler[20]:52
1930 The Heart Breaker Vitaphone Varieties release 1012–1013 (March 1930)
Cast: Eddie Foy, Jr.[20]:53
1930 An Intimate Dinner in Celebration of Warner Bros. Silver Jubilee  
1931 How I Play Golf, number 10, “Trouble Shots” Vitaphone release 4801
Cast: Bobby JonesJoe E. BrownEdward G. RobinsonDouglas Fairbanks, Jr.[20]:226
1933 Just Around the Corner  
1934 Hollywood Newsreel  
1941 Meet the Stars #2: Baby Stars  
1965 The Cincinnati Kid Plays According to Hoyle  

Television

Year Title Role Notes
1961 The Untouchables Hannah ‘Lucy’ Wagnall Episode: “The Underground Court”
1963 The Virginian Rosanna Dobie Episode: “To Make This Place Remember”
1963 Wagon Train Ma Bleecker Episode: “The Bleecker Story”
1964 The Twilight Zone Phyllis Britt Episode: “What’s in the Box”
1964 Bonanza Lillian Manfred Episode: “The Pressure Game”
1965 Petticoat Junction season 5 episode 22 Florabelle Campbell
1965 My Three Sons Harriet Blanchard Episode: “Office Mother”
1968–70 Here Come the Brides Lottie Hatfield 52 episodes[21][22]
Nominated—Primetime Emmy Award for Outstanding Lead Actress in a Drama Series (1969–70)
1971 McCloud – ″Top of the World, Ma!″ Ernestine White Episode: “Top of the World, Ma”
1972–73 Banyon Peggy Revere 8 episodes
1979 The Rebels Mrs. Brumple TV movie

Radio broadcasts

Year Program Episode/source
1946 Hollywood Star Time The Lady Eve[23]

1_x7jZXl7UANqQUUZrA4FyWg71zcFk0QCKL._AC_SX522_0345_1_md1joan-blondell-1931b24cd6f43be58c37abfb9807894918bd1_S9tu2CpHgJkrLx2MI58OrQil_570xN.1958800401_82gk2abd5d44639022a45f37eb8691fb539ablondell-1

 
 

References

  1. ^ Obituary Variety, December 26, 1979.
  2. Jump up to:a b c d e “Joan Blondell, Actress, Dies at 70; Often Played Wisecracking Blonde”The New York Times. December 26, 1979. Archived from the original on November 20, 2015. Retrieved August 30, 2015.
  3. ^ “[Unknown]”The Republic. Columbus, Indiana. October 7, 1971. p. 26. Archived from the original on February 16, 2018. The Katzenjammer Kids will be presented in Franklin this evening, the company having passed through here this morning on the way to that place. “Eddie Blondell’s true name is Levi Bluestein, and he was a resident of Columbus many years ago, living with his father at the foot of Washington street
  4. ^ “[Unknown]”The Republic. Columbus, Indiana. January 29, 1906. p. 1. Archived from the original on February 16, 2018. No allowance was made for alimony, but Mrs. Blondell seemed to be satisfied. The Blondells, who in private life were Mr. and Mrs. Levi Bluestein, have been annoyed by a case of incompatibility of temper for a long time. They were formerly a member of Katzenjammer Kids’ company….
  5. ^ “Blondell and Fennessy’s hurricane of fun and frolic, The Katzenjammer Kids”loc.gov. United States Library of Congress. Archived from the original on February 16, 2018. Retrieved May 5, 2018.
  6. ^ “[Unknown]”Variety. November 1916. Archived from the original on March 18, 2017. Rowland & Clifford, a western producing firm, have also a production in preparation under the title of ‘The Katzenjammer Kids’, securing the rights from Blondell & Fennessy. Both shows are scheduled to play over the International, with the Hill production to be ready by Jan. 1.
  7. Jump up to:a b c d Kennedy, Matthew (September 28, 2009). “Joan Blondell: A Life Between Takes”University Press of MississippiISBN 9781628461817 – via Google Books.
  8. ^ “Grave Spotlight – Joan Blondell”cemeteryguide.comArchived from the original on January 2, 2016. Retrieved May 5, 2018.
  9. ^ Rathbun, Joe (December 10, 1944). “Joe’s Radio Parade”. Sunday Times Signal. p. 23. Archived from the original on May 4, 2015. Retrieved May 1, 2015 – via Newspapers.com. open access
  10. ^ Punahou School Alumni Directory, 1841–1991. White Plains, New York: Harris Publishing Company, 1991.
  11. ^ Santa Monica High School Yearbook, 1925
  12. ^ “Page 68”The Yucca. North Texas State Teacher’s College. 1927. Retrieved December 2, 2019 – via texashistory.com.
  13. ^ “Lights! Camera! University of North Texas!: Joan Blondell (1906 – 1979)”library.unt.edu. University of North Texas. Retrieved December 2, 2019.
  14. ^ Joan Blondell at the Internet Broadway Database
  15. ^ “The Train and Lucy Tutaine on Death Valley Days. Internet Movie Database. Retrieved February 28, 2019.
  16. ^ “Joan Blondell”iobdb.com.
  17. ^ “Hollywood Walk of Fame – Joan Blondell”walkoffame.com. Hollywood Chamber of Commerce. Archived from the original on December 1, 2017. Retrieved November 21, 2017.
  18. ^ Wilson, Scott (2016). Resting Places: The Burial Sites of More Than 14,000 Famous Persons (3rd ed.). Jefferson, North Carolina: McFarland & Company, Inc. p. 69. ISBN 978-0-7864-7992-4. Retrieved August 2, 2018.
  19. Jump up to:a b c d e f g h i j k l m n o p q r s t u v w x y z aa ab ac ad ae af ag ah ai aj ak al am an ao apaq ar as at au av aw ax ay az ba bb bc bd be bf bg bh bi bj bk bl bm bn bo bp bq br bs bt bubv bw bx by bz ca cb cc cd ce cf cg ch ci cj “Joan Blondell”AFI Catalog of Feature FilmsAmerican Film Institute. Retrieved August 30, 2015.
  20. Jump up to:a b c d Liebman, Roy (2003). Vitaphone Films: A Catalogue of the Features and Shorts. Jefferson, North Carolina: McFarland & Company, Inc. ISBN 978-0786446971.
  21. ^ Here Come the Brides – ‘The Complete 2nd Season’: Shout!’s Street Date, Cost, Packaging Archived November 12, 2011, at the Wayback MachineTVShowsonDVD.com November 7, 2001
  22. ^ Here Come the Brides – Official Press Release, Plus Rear Box Art & Revised Front Art Archived November 14, 2011, at the Wayback MachineTVShowsonDVD.com March 7, 2006
  23. ^ “Joan Blondell In ‘Lady Eve’ On WHP ‘Star Time. Harrisburg Telegraph. September 21, 1946. p. 17. Archived from the original on March 4, 2016. Retrieved October 7, 2015 – via Newspapers.com. open access

Further reading

  • Oderman, Stuart. Talking to the Piano Player 2. BearManor Media, 2009. ISBN 1-59393-320-7
  • Grabman, Sandra. Plain Beautiful: The Life of Peggy Ann Garner. BearManor Media, 2005. ISBN 1-59393-017-8

External links

Three Broadway Girls (1932)


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Three Broadway Girls AKA The Greeks Had A Word For Them (1932)

Three Broadway Girls 1

Director: Lowell Sherman

Cast: Joan Blondell, Madge Evans, Ina Claire, David Manners, Lowell Sherman, Phillips Smalley, Sidney Bracey, Ward Bond, Betty Grable, Creighton Hale, Barbara Weeks

79 min 

The Greeks Had a Word for Them (1932), also known as Three Broadway Girls, is a pre-Code comedy film directed by Lowell Sherman, produced by Samuel Goldwyn, and released by United Artists. It stars Joan BlondellMadge Evans, and Ina Claire and is based on the play The Greeks Had a Word for It by Zoë Akins.

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The studio originally wanted actress Jean Harlow for the lead after her success in Red-Headed Woman (1932), but she was under contract to Howard Hughes, and he refused to loan her out.

The movie served as inspiration for films like Three Blind Mice (1938), Moon Over Miami (1941), and How to Marry a Millionaire (1953). Also Ladies in Love (1936) has a similar pattern and produced like “Three Blind Mice” by Darryl F. Zanuck.[clarification needed]

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Plot

Jean, Polaire, and Schatze are ex-showgirls who put their money together in order to rent a luxurious penthouse apartment. They are out to get wealthy boyfriends by dressing and acting like millionaires themselves. Jean shows herself to be determined and ruthless, leaving the other girls behind. The other two are more sensitive and trustworthy but only one woman will be able to find a rich husband. Which is she?

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Cast

See also

Three Broadway Girls 5

Three Broadway Girls 6

Film Collectors Corner

Watch Three Broadway Girls Now – Amazon Instant Video

Blu Ray

Not released on Blu Ray

 

DVD

Millie (1931)


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Pre Code Hollywood Season: FD Cinematheque

Millie (1931)

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Director: John Francis Dillon

Cast: Helen Twelvetrees, Lilyan Tashman, Robert Ames, James Hall, John Halliday, Joan Blondell, Anita Louise, Edmund Breese, Frank McHugh, Charlote Walker, Franklin Parker, Marie Astaire, Carmelita Geraghty

85 min

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Millie (1931) is a pre-Code drama film directed by John Francis Dillon from a screenplay by Charles Kenyon and Ralph Morgan, based on a novel of the same name by Donald Henderson Clarke. The film was an independent production by Charles R. Rogers, distributed by RKO Radio Pictures, after their acquisition of Pathé Exchange. It starred Helen Twelvetrees in one of her best roles, with a supporting cast which included Lilyan TashmanJames HallJoan BlondellJohn Halliday and Anita Louise.

Plot

Millie (Helen Twelvetrees) is a naive young woman who marries a wealthy man from New York, Jack Maitland (James Hall). Three years later, unhappy in her marriage due to her husband’s continued infidelity, she asks for and receives a divorce. Because of her pride, she does not want his money, but she also does not want to deprive her daughter of a comfortable lifestyle. She allows Jack and his mother (Charlotte Walker) to retain custody of Millie’s daughter Connie (Anita Louise).

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Focusing on her career, she rises through the hierarchy of the hotel where she is employed, shunning the attention of the rich banker Jimmy Damier (John Halliday), preferring the attentions of the reporter Tommy Rock (Robert Ames), although, due to her prior sour relationship, she refuses to marry him. Eventually, Millie is promoted to the head of operations for the hotel.

At the same time, Tommy is offered a lucrative position at the bank by Damier as a favor to Millie. However, at the celebration party, Millie discovers that Tommy, just like Maitland, is cheating on her.

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Betrayed a second time, Millie becomes very bitter. With her female cohorts, Helen and Angie (Lilyan Tashman and Joan Blondell, respectively), she becomes a woman who loves a good time, floating from man to man. This goes on for several years, until she hears that Damier has taken an interest in her teen-age daughter, Connie, who bears a striking resemblance to her.

Millie warns Damier to leave her daughter alone, but, although he promises to stay away from Connie, he ignores Millie’s warning and takes Connie to a remote lodge to seduce her. Millie is tipped off, goes to the lodge with a gun, confronts Jimmy and kills him.

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In the ensuing murder trial, Millie tries to keep her daughter’s name out of the press and claims not to remember why she shot Jimmy. She says that another woman ran out of the lodge after the shot, but claims that she did not see who the woman was and has no idea as to her identity.

The prosecution thus claims that Millie’s motive was jealousy of Jimmy’s romantic relationship with this unknown other woman. Millie’s friends, however, help to bring out the truth, and when the jury finds out that Millie’s true motive was to protect her daughter from Jimmy’s lascivious intentions, they acquit her. In the end, Millie is reunited with her daughter and her estranged husband’s family.

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Cast

(Cast as per AFI‘s database)[2]

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Production

Donald Henderson Clarke finished his novel, Millie, during summer 1930.[4] The novel was first offered to Metro-Goldwyn-Mayer, who passed on it due to its racy content.[5] In August of that year, it was reported that Charles R. Rogers had purchased the film rights to the novel, and had signed Charles Kenyon to adapt it into a screenplay, as well as selecting John Francis Dillon to direct.[6]

Although Rogers had signed an agreement to distribute his independent films through RKO, it was reported that he would be overseeing the production on the Universal lot.[7] Even though he was incorrectly identified as “Ralph Murphy”, Ralph Morgan was signed to collaborate with Kenyon on the screenplay adaptation in September.[8]

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Less than a week later, Helen Twelvetrees signed on for the titular role;[9] and it was reported that the screenplay adaptation had been completed.[5] Rogers would choose Ernest Haller to shoot the film and sign him for the project in the beginning of October.[10]

In January RKO announced the film would be released in February,[11] and it was released on February 8, 1931.[2]

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Notes

The film was an independent production by Charles Rogers, but became the property of RKO when he agreed to become their production chief.[12]

The theme song, “Millie”, had words and music by Nacio Herb Brown.[2]

In 1959, the film entered the public domain in the USA due to the copyright claimants failure to renew the copyright registration in the 28th year after publication.[13]

The film’s tagline was “Torn From Her Arms … Child Of Love A Woman Can Give But Once.”[1]

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References

  1. Jump up to:a b “Millie: Technical Details”. theiapolis.com. Retrieved August 11, 2014.
  2. Jump up to:a b c d e f g “Millie: Detail View”. American Film Institute. Archived from the original on September 20, 2015. Retrieved December 30, 2016.
  3. Jump up to:a b “Millie, Credits”. Turner Classic Movies. Archived from the original on August 11, 2014. Retrieved August 11, 2014.
  4. Jump up^ Daly, Phil M. (April 17, 1930). “Along the Rialto”The Film Daily. p. 5.
  5. Jump up to:a b “Rogers Chances “Millie””Variety. September 24, 1930. p. 5.
  6. Jump up^ “Hollywood Flashes”The Film Daily. August 30, 1930. p. 3.
  7. Jump up^ “Don Clarke’s Story To Be First Rogers Film”Motion Picture News. August 23, 1930. p. 26.
  8. Jump up^ “Hollywood Activities”The Film Daily. September 21, 1930. p. 29.
  9. Jump up^ “Hollywood Happenings”The Film Daily. September 24, 1930. p. 6.
  10. Jump up^ Wilk, Ralph (October 12, 1930). “A Little from “Lots””The Film Daily. p. 4.
  11. Jump up^ “”Cimarron” and “Millie” Releases”The Film Daily. January 22, 1931. p. 3.
  12. Jump up^ Jewell, Richard B.; Harbin, Vernon (1982). The RKO Story. New York: Arlington House. p. 32. ISBN 0-517-546566.
  13. Jump up^ Pierce, David (June 2007). “Forgotten Faces: Why Some of Our Cinema Heritage Is Part of the Public Domain”. Film History: An International Journal19 (2): 125–43. ISSN 0892-2160JSTOR 25165419OCLC 15122313doi:10.2979/FIL.2007.19.2.125. See Note #60, pg. 143.

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Film Collectors Corner

Watch Millie Now – Instant Video on You Tube

Blu Ray

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DVD

Other Men’s Women (1931)


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Other Men’s Women (1931)

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Other Men's Women 1

Director: William A Wellman

Cast: Grant Withers, Mary Astor, Regis Toomey, James Cagney, Fred Kohler, J Farrell Macdonald, Joan Blondell, Lillian Worth, Walter Long, Pat Harmon, Lucille Ward

71 min

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Other Men’s Women is a 1931 American pre-Code drama film directed by William A. Wellman and written by Maude Fulton. The film stars Regis Toomey, Grant Withers, and Mary Astor and features Joan Blondell. It was produced and distributed by Warner Bros.

It was first previewed, released and reviewed in 1930 under the title The Steel Highway. By the time of the film’s release in New York City the title had been changed to Other Men’s Women.[1]

Plot

In 1929, Bill White (Grant Withers), is a railroad engineer and boozing womanizer who is evicted from his boarding house for excessive drinking and late rental payments.

Needing a new place to live, he accepts the invitation from his longtime friend and fellow engineer, Jack Kulper (Regis Toomey), to move into his home, where he resides happily with his wife Lily (Mary Astor). This new living arrangement brings changes to relationships as the months pass.

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Bill and Lily’s own friendship, which at first is playful and innocent, evolves into a passionate love between them. Hesitant to hurt Jack, they try to keep their feelings secret, at least for a while; but Jack begins to notice differences in his wife’s demeanor and becomes suspicious when he finds that Bill has suddenly moved out of their house. Jack initially thinks Lily and his friend have had a quarrel, but he later confronts Bill inside the cab of the coal-fired

Bill and Lily’s own friendship, which at first is playful and innocent, evolves into a passionate love between them. Hesitant to hurt Jack, they try to keep their feelings secret, at least for a while; but Jack begins to notice differences in his wife’s demeanor and becomes suspicious when he finds that Bill has suddenly moved out of their house.

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Jack initially thinks Lily and his friend have had a quarrel, but he later confronts Bill inside the cab of the coal-fired steam locomotive that the two men operate together at the nearby rail yard. There Bill finally admits to Jack that Lily and he have fallen in love. In the fistfight that ensues, Jack falls during the struggle, strikes his head, and is permanently blinded by the injury.

During his convalescence at home, Lily tries to rededicate herself to her marriage; however, Jack resents his dependency on his wife. Increasingly frustrated by his situation, he insists that Lily leave town for a few weeks to visit her parents, explaining that he needs emotional space and that he also wants her away from the dangers of expected floods due to rainstorms in the area.

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Shortly after Lily’s departure, Jack learns from rail workers that Bill plans to drive a train of flatcars stacked with bags of cement onto a vital river bridge, the desperate hope being that the combined weight of the train and its load will bolster the bridge and prevent it from being swept away by the rising floodwaters. Stumbling that night through a heavy downpour and literally feeling his way to the rail line, sightless Jack manages to locate Bill and knock him unconscious before he begins what everyone deems a suicidal mission.

Jack then takes charge of the engine’s controls, but before moving onto the wavering bridge, he pushes Bill off the locomotive to safety. Once on the bridge, the entire train plummets into the river as the structure collapses, and Jack drowns in the raging river.

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Months after the tragedy, Bill, still as an engineer, goes into the depot’s diner for some quick food before returning to his train. Nearby, Lily arrives on another train and enters the same restaurant carrying her luggage. The two see one another and engage in some awkward small talk before Lily remarks that she intends to remain in the community, fix up her house and yard, and plant a new spring garden.

Then, with a warm smile, she invites Bill to drop by to help her with the work. Bill runs out of the diner to re-board his moving train. Lily stands in the restaurant’s doorway watching Bill climb to the top of a long line of freight cars and then running forward toward the engine. As he jumps from one car’s roof to the next he raises his arms skyward.

Then, with a warm smile, she invites Bill to drop by to help her with the work. Bill runs out of the diner to re-board his moving train. Lily stands in the restaurant’s doorway watching Bill climb to the top of a long line of freight cars and then running forward toward the engine. As he jumps from one car’s roof to the next he raises his arms skyward.

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Cast

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Cast notes

  • Other Men’s Women was James Cagney’s third film, although Cagney does not mention it in his autobiography, Cagney by Cagney. He and Joan Blondell went on to sign long-term contracts with Warners.[2]
  • Mary Astor dismissed the film as “a piece of cheese”, although praising Cagney and Blondell.[2]

Songs

  • “Leave A Little Smile” – sung by Grant Withers, J. Farrell MacDonald and Mary Astor (from the Warner Bros. musical Oh Sailor Behave)
  • “The Kiss Waltz” – played on the phonograph (from the Warner Bros. musical Dancing Sweeties)
  • “Tomorrow Is Another Day” – played at the restaurant/dance hall (from the Warner Bros. musical Big Boy)

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Release and reception

According to Film Daily, the film’s original title was “The Steel Highway”, under which title it was reviewed by Motion Picture Herald, but by the time of its New York City premiere, the current title had been adopted.[1]

The name change was announced around December 1930.[3] According to an article in The New York Times published in 1936, film studio employees were routinely asked to submit the best possible name for each of the studio’s releases, and one employee had submitted “Other Men’s Women”, along with nine others, for every film, until it was finally chosen as the new name for The Steel Highway. The employees whose titles were chosen generally received $25 or $50 as a reward.

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The employees whose titles were chosen generally received $25 or $50 as a reward.[4]

Variety called it “a good program picture,” but The New York Times described the film on its release as “an unimportant little drama of the railroad yards”.[2] Years later, in a review of a DVD of Wellman’s films, Dave Kehr wrote in the Times that “freed from the constraints of studio-bound early-sound technology, Wellman seems almost giddy with the possibilities of location shooting, moving his camera with abandon, staging dialogue scenes atop moving trains, constructing at least one live sound set … in the middle of a busy switchyard, where freight trains rumble past,” although he did comment that Wellman’s major flaw of “a simplistic, often inconsistent sense of character” was present in the film.[5]

In 1937, a remake of the film under the title “The Steel Highway” was announced, to be directed by Reeves Eason, but there is no indication that the film was made.[6]

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Home media

Other Men’s Women was released on DVD by the Warner Archive in 2010.

References

Other Men's Women 16

Other Men's Women 17

Other Men's Women 18

Other Men's Women 19

Film Collectors Corner

Watch Other Men’s Women Now – Amazon Instant Video

Blu Ray

Not released on Blu Ray

 

DVD