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Back Street (1932)


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Pre Code Hollywood Season: FD Cinematheque

Back Street (1932)

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Director: John M Stahl

Cast: Irene Dunne, John Boles, June Clyde, George Meeker, Zasu Pitts, Shirley Grey, Doris Lloyd, William Bakewell, Arletta Duncan, Maude Turner Gordon, Walter Catlett, James Donlan, Jane Darwell, Betty Blyth, Russell Hopton, Gloria Stuart

93 min

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Back Street is a 1932 American Pre-Code drama film directed by John M. Stahl and starring Irene Dunne and John Boles.

Based on the best-selling novel of the same name by Fannie Hurst, it tells the story of a woman who spends her life as the secret mistress of a wealthy married man.

This was the first of three film versions of Hurst’s novel; remakes were released in 1941 and 1961.

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Plot

In early 1900s Cincinnati, young and beautiful Ray Schmidt (Irene Dunne) works in her father’s shop by day and stays out late drinking beer and dancing with various men by night, although her stepmother disapproves. Ray dates for fun, mostly going out with traveling salesmen passing through town, and neither she nor her dates are interested in any permanent attachment. An exception is Kurt Shendler, who owns a bicycle shop near Mr. Schmidt’s shop and aspires to get into the automobile business. Kurt is in love with Ray and asks her to marry him, but she refuses because while she likes Kurt, she doesn’t return his romantic feelings.

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While visiting the train station with Kurt, Ray meets Walter Saxel (John Boles) and the two fall for each other at first sight. Walter soon confesses to Ray that he is actually engaged to another woman in town, Corinne, who comes from a wealthy background and whose mother is friends with his own mother. Nevertheless he has fallen in love with Ray, and asks her to meet him at a local band concert that he will be attending with his mother.

Walter hopes to introduce Ray to his mother and perhaps get her approval of the relationship. On the day of the concert, Ray is late arriving because her younger half-sister Freda is suicidal over her boyfriend, Hugo, leaving town. Freda begs Ray to go after Hugo and stop him, threatening to throw herself out a window if Ray does not help.

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By the time Ray has dealt with Freda’s situation and gotten to the concert, it is over, and Ray cannot find Walter or his mother in the departing crowds. Walter, thinking she stood him up, writes her an angry letter and marries Corinne.

Several years later, Walter, now a rising young financier on Wall Street, runs into Ray who is single and working in New York City. The two renew their acquaintance and realize they still love each other, although Walter is still married and has two children. Walter sets Ray up in an inexpensive apartment and gets her to give up her job so she will be free to see him when he has time.

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However, his work, family and social commitments sometimes keep him away for long periods of time, causing Ray to feel lonely and isolated. After Walter takes an extended trip to Europe with his wife, leaving Ray alone with insufficient money to live on, she breaks up with him and accepts a proposal from Kurt, who has become a rich automobile manufacturer. Walter goes to Cincinnati to convince her not to marry Kurt and they resume their previous relationship.

Years pass, and Walter has become a wealthy and prominent financier. When he travels he now brings Ray along, although they must keep their relationship hidden and avoid being seen in public together, meaning Ray spends much of her time alone. Ray is the target of gossip and is hated by Walter’s adult children, who regard Ray as a gold digger.

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Walter’s son Dick tells Ray to get out of his family’s life, but his father Walter walks in on the conversation and tells his son to be more understanding or at least to mind his own business. That night, Walter suffers a massive stroke and dies shortly thereafter. Just before Walter dies, he asks Dick to telephone Ray’s number and hears her voice over the phone one last time.

Dick, who now understands his father’s feelings for Ray, goes to see her and offers to continue to support her. He finds her distraught over Walter’s death and also learns that his father had been paying her only a very small amount per month, thus proving that she stayed in the relationship for love, not money. After Dick leaves, Ray dies looking at Walter’s picture.

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Cast

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Discarded Lovers (1933)


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Pre Code Hollywood Season: FD Cinematheque

Discarded Lovers (1932)

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Discarded Lovers is a 1932 American Pre-Code mystery film directed by Fred C. Newmeyer.

Plot summary

Discarded Lovers is a murder mystery. Early in the film a blonde bombshell movie star is murdered and her body is found in a car.

She had just finished doing the last and final scenes in a film. Irma Gladden was a sexy blonde bombshell who was having many tangled romantic affairs. She was loose and easy. In solving the murder there are the usual friends, police, reporters and employees who administer their help to the police captain and the police sergeant.

In this whodunit suspects abound and include Irma’s husband, a jealous wife, a boy friend and an ex-husband.

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Cast

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Once in A Lifetime (1932)


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Pre Code Hollywood Season: FD Cinematheque

Once In A Lifetime (1932)

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Director: Russell Mack

Cast: Jack Oakie, Sidney Fox, Aline MacMahon, Russell Hopton, Louise Fazenda, Zasu Pitts, Gregory Ratoff, Jobyna Howland, Onslow Stevens, Gregory Gaye, Frank LaRue, Walter Brennan, Alan Ladd

91 min

Once in a Lifetime is a 1932 American pre-Code comedy film based on Once in a Lifetime by George S. Kaufman and Moss Hart.[1] The film was produced and distributed by Universal Pictures, directed by Russell Mack and stars Jack OakieSidney Fox and Aline MacMahon.[2]

It is preserved at the Library of Congress.[3]

Plot

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The immense success of The Jazz Singer, the first all-talking picture, results in the cancellation of a booking for three song-and-dance vaudeville performers: Jerry Hyland, May Daniels and George Lewis. Jerry, convinced that talkies are the future, decides they will head to Hollywood to break into the fledgling movie industry before others get the same notion.

May comes up with the idea to open a school of elocution to teach actors how to speak on film. On the train there, May encounters an old friend, Helen Hobart, an influential, nationally syndicated columnist. She offers to put them in touch with Herman Glogauer, the head of a major movie studio. George is smitten with another passenger, aspiring young actress Susan Walker.

They discover the movie world to be an eccentric place. George is unexpectedly appointed by Glogauer as supervisor of production, allowing him to promote Susan’s career. Despite his incompetence (or rather because of it), his first picture turns out to be a critical and commercial smash hit, and Susan becomes a star.

Later, a very persuasive salesman gets George to buy 2000 airplanes, which causes Glogauer to fire him. However, air movies become very popular, and George has inadvertently cornered the market. The other studios are desperate to get airplanes from Glogauer at any price, and George is once again considered a genius.

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Cast

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Reception

Mordaunt Hall, film critic of The New York Times, gave the film a favorable review, calling it a “merry diversion”.[1] He praised all the main performers, as well as ZaSu Pitts as the studio’s obtuse receptionist.[1]

References

  1. Jump up to:a b c Mordaunt Hall (October 29, 1932). “Jack Oakie, Aline MacMahon and Others in a Film of the Hart-Kaufman Satire on Hollywood.”The New York Times.
  2. Jump up^ The American Film Institute Catalog Feature Films: 1931-40 by The American Film Institute, c.1993
  3. Jump up^ Catalog of Feature Films The American Film Institute Collection and The United Artists Collection at The Library of Congress by The American Film Institute, c.1978

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Night World (1932)


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Pre Code Hollywood Season: FD Cinematheque

Night World (1932)

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Director: Hobart Henley

Cast: Lew Ayres, Mae Clarke, Boris Karloff, Dorothy Revier, Russell Hopton, Hedda Hopper, Clarence Ruse, Bert Roach, George Raft, Arleta Duncan, Jack La Rue

58 min 

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Night World is a 1932 American pre-Code drama film featuring Lew Ayres, Mae Clarke, and Boris Karloff.[1] The supporting cast includes George Raft and Hedda Hopper (before she became a noted gossip columnist).

The movie was directed by Hobart Henley and features an early Busby Berkeley music number, “Who’s Your Little Who-Zis”.[2] Although Karloff is a villain, he plays a charming man, quite unlike most of the parts he was allowed to play at the time.

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Contents

1 – Plot

2 – Cast

3 – See also

4 – References

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Plot

On a cold winter’s night outside Happy’s Nightclub, Irish-American police officer Ryan (Robert Emmett O’Connor) chats with African-American doorman Tim Washington (Clarence Muse), who is worried about his critically ill wife.

Inside, club owner Happy (Boris Karloff) is arguing with his shrewish but glamorous wife Jill (Dorothy Revier) and welcoming frequent customers Ed Powell (George Raft), a crooked gambler, and Michael Rand (Lew Ayres). Rand is a wealthy college boy who watched his mother kill his father after catching him with another woman, a case widely covered by the tabloids. Rand is now drinking heavily to deaden his pain.

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Backstage, gambler Powell asks chorus girl Ruth Taylor (Mae Clarke) for a date and, after losing an impromptu bet, she agrees to go out with him. After the floor show, all the chorus girls are asked to stay late by their cruel dance master, Klauss (Russell Hopton), who is secretly having an affair with Happy’s wife Jill.

Edith Blair (Dorothy Petersen) spots a drunken Michael sitting alone at a table. Edith was the ‘other woman’ in the murder of Michael’s father. She tell Michael that she and his father were only good friends, and that his father loved him deeply.

She also tells Michael that his killer mother never loved his father, and cursed him as he was dying. An upset Michael creates an outburst and overturns a table at the nightclub. He passes out after being punched, and is taken to the back room of the club where Ruth cares for him.

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Happy leaves to discuss bootleg liquor purchases with another gangster, Jim. (Huntley Gordon.) As he exits, doorman Tim asks if he can leave early to visit is ailing wife, but Happy refuses.

When Michael wakes up from his liquor-related nap, he and Ruth have a warm chat. Gambler Powell interrupts them and insists Ruth to come to his apartment immediately. Michael punches Powell and Tim takes the fallen gambler out to a taxi. Suddenly, Michael’s mother (Hedda Hopper) arrives at the nightclub. Michael confronts her about the way she treated his father.

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The late-night dance rehearsal continues, but Klauss calls a break so he can spend more time with Jill. Happy returns, and Tim asks again if he can go see his wife in the hospital. Happy refuses. Happy catches Jill and Klauss together, and Klauss leaves in disgrace. Happy tells Jill that he will not divorce her, but remain married to her and do his best to make her miserable.

Michael and Ruth sit down for a meal together. Michael asks Ruth if she would be interested in running away to Bali with him, as his wife, even though they have only known each other for a few hours.

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Their happy moment is interrupted by Tim, who has just learned that his wife is dead. As he leaves the club to finally go to her bedside, he is fatally shot by gangster Jim and a comrade, who have come for Happy. They shoot Happy and then his wife Jill. When they turn their guns towards Michael and Ruth, they are suddenly shot dead by the returning police officer Ryan. Michael and Ruth get into the police wagon together, and Ruth agrees to go Bali with Michael.

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Cast

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See also

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References

  1. Jump up^ Night World, imdb.com; accessed August 9, 2015.
  2. Jump up^ Everett Aaker, The Films of George Raft, McFarland & Company, 2013 p 26

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