Tag Archives: aline macmahon

Heart of New York, The (1932)


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Pre Code Hollywood Season: FD Cinematheque

The Heart of New York (1932)

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Director: Mervyn LeRoy

Cast: Joe Smith, Charles Dale, George Sidney, Ruth Hall, Aline MacMahon, Anna Appel, Donald Cook, Oscar Apfel

73 min

The Heart of New York is a 1932 American pre-Code comedy film starring the vaudeville team of Smith & Dale and George Sidney. It was directed by Mervyn LeRoy and based on the Broadway play Mendel, Inc. by David Freedman.

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Plot

The plumber Mendel Marantz, a passionate inventor, hasn’t much luck and a family that doesn’t understand him. He finally strikes it rich with a dishwashing machine he invented.

He finds an investor, Gassenheim, and begins to make his way up in the world. But Mendel’s troubles are not over; his family doesn’t share his dream to become the landlord of the house where they live on New York’s Lower East Side.

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They prefer to move uptown to Park Avenue and adapt to how rich people live. Mendel’s ideas for the house are not forgotten. The men he once told how he wished to transform the building take on the work of renovating it, with every detail he planned.

Neighbours and visitors come to see the house and the new, beautiful penthouse. His wife and his children are still in Park Avenue and when Gassenheim stops paying royalties to Mrs. Marantz, she and the children come home, to find that Mendel is close to losing everything.

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Cast

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Once in A Lifetime (1932)


Pre Code Logo 1

Pre Code Hollywood Season: FD Cinematheque

Once In A Lifetime (1932)

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Director: Russell Mack

Cast: Jack Oakie, Sidney Fox, Aline MacMahon, Russell Hopton, Louise Fazenda, Zasu Pitts, Gregory Ratoff, Jobyna Howland, Onslow Stevens, Gregory Gaye, Frank LaRue, Walter Brennan, Alan Ladd

91 min

Once in a Lifetime is a 1932 American pre-Code comedy film based on Once in a Lifetime by George S. Kaufman and Moss Hart.[1] The film was produced and distributed by Universal Pictures, directed by Russell Mack and stars Jack OakieSidney Fox and Aline MacMahon.[2]

It is preserved at the Library of Congress.[3]

Plot

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The immense success of The Jazz Singer, the first all-talking picture, results in the cancellation of a booking for three song-and-dance vaudeville performers: Jerry Hyland, May Daniels and George Lewis. Jerry, convinced that talkies are the future, decides they will head to Hollywood to break into the fledgling movie industry before others get the same notion.

May comes up with the idea to open a school of elocution to teach actors how to speak on film. On the train there, May encounters an old friend, Helen Hobart, an influential, nationally syndicated columnist. She offers to put them in touch with Herman Glogauer, the head of a major movie studio. George is smitten with another passenger, aspiring young actress Susan Walker.

They discover the movie world to be an eccentric place. George is unexpectedly appointed by Glogauer as supervisor of production, allowing him to promote Susan’s career. Despite his incompetence (or rather because of it), his first picture turns out to be a critical and commercial smash hit, and Susan becomes a star.

Later, a very persuasive salesman gets George to buy 2000 airplanes, which causes Glogauer to fire him. However, air movies become very popular, and George has inadvertently cornered the market. The other studios are desperate to get airplanes from Glogauer at any price, and George is once again considered a genius.

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Cast

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Reception

Mordaunt Hall, film critic of The New York Times, gave the film a favorable review, calling it a “merry diversion”.[1] He praised all the main performers, as well as ZaSu Pitts as the studio’s obtuse receptionist.[1]

References

  1. Jump up to:a b c Mordaunt Hall (October 29, 1932). “Jack Oakie, Aline MacMahon and Others in a Film of the Hart-Kaufman Satire on Hollywood.”The New York Times.
  2. Jump up^ The American Film Institute Catalog Feature Films: 1931-40 by The American Film Institute, c.1993
  3. Jump up^ Catalog of Feature Films The American Film Institute Collection and The United Artists Collection at The Library of Congress by The American Film Institute, c.1978

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