Tag Archives: bette davis

Bad Sister, The (1931)


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Pre Code Hollywood Season: FD Cinematheque

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Bad Sister is a 1931 American Pre-Code drama film directed by Hobart Henley. The screenplay by Edwin H. Knopf, Tom Reed, and Raymond L. Schrock is based on the 1913 novel The Flirt by Booth Tarkington, which had been filmed in 1916 and 1922.

The film marks the screen debut of Bette Davis and Sidney Fox, who was billed over Davis. It also features Humphrey Bogart and ZaSu Pitts in supporting roles. This film has been preserved in the Library of Congress collection.[1] [2]

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Plot

Naive Marianne Madison, bored with her routine life, falls for dashing con artist Valentine Corliss, who has come to her small town looking for fresh marks to swindle.

He soon charms her into faking her wealthy and prominent father’s name on a letter of endorsement, which he presents to the other local merchants, who willingly give him merchandise. He prepares his escape, but not before conning Marianne into becoming his wife.

Following their wedding night in a sleazy hotel, Valentine abandons Marianne. She returns home and begs forgiveness from her jilted fiancé Dick Lindley, but having seen Marianne for who she really is, he turns his attention to her shy younger sister Laura.

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Production

The film originally was called What a Flirt and then Gambling Daughters before being changed to Bad Sister just prior to its theatrical release.[3]
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Bette Davis, nervous about her appearance in her first film, consulted with studio makeup chief Jack Pierce, who “surveyed me critically, almost resentfully,” she recalled for an interview in the April 1938 issue of Good Housekeeping. “Your eyelashes are too short, hair’s a nondescript color, and mouth’s too small.

A fat little Dutch girl’s face, and a neck that’s too long,” he told her. He suggested a different shade of lipstick and advised her to use eye shadow, but their meeting left Davis feeling anxious and lacking self-confidence.

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After seeing the completed film, producer Carl Laemmle, Jr. commented, “Can you imagine some poor guy going through hell and high water and ending up with her at the fade-out?” [3]

Davis was required to change a baby in one scene, and the fact the infant was a boy was kept secret from her. When she undid the diaper and saw male genitals for the first time in her life, she was so embarrassed her face reddened enough to look deep gray on screen.[3]

Davis and her mother attended a preview of the film in San Bernardino. The actress was reportedly so distressed by her performance that they left before the final credits. Certain her Hollywood career was over, she cried all the way home.[3]

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Cast

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References

  1. Catalog of Holdings The American Film Institute Collection and The United Artists Collection at The Library of Congress p.11 c.1978 by The American Film Institute
  2. Jump up^ The AFI Catalog of Feature Films:Bad Sister, afi.com; accessed September 23, 2015.
  3. Jump up to:a b c d Stine, Whitney, and Davis, Bette, Mother Goddam: The Story of the Career of Bette Davis. New York: Hawthorn Books 1974. ISBN 0-8015-5184-6, pp. 8-11

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Fashions of 1934 (1934)


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Pre Code Hollywood Season: FD Cinematheque

Fashions of 1934 (1934)

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Director: William Dieterle

Cast: William Powell, Bette Davis, Frank McHugh, Hugh Herbert, Verree Teasdale, Reginald Owen, Henry O Neill, Phillip Reed, Gordon Westcott, Dorothy Burgess, Nella Walker

78 min

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Fashions of 1934 is a 1934 American pre-Code musical comedy film directed by William Dieterle with musical numbers created and directed by Busby Berkeley.

The screenplay by F. Hugh Herbert and Carl Erickson was based on the story The Fashion Plate by Harry Collins and Warren Duff.

The film stars William Powell, Bette Davis, Hugh Herbert and Frank McHugh, and has songs by Sammy Fain (music) and Irving Kahal (lyrics). (Sometime after the initial release, the title “Fashions of 1934” was changed to “Fashions”, replacing the original title with an insert card stating William Powell in “Fashions”).

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Plot

When the Manhattan investment firm of Sherwood Nash (William Powell) goes broke, he joins forces with his partner Snap (Frank McHugh) and fashion designer Lynn Mason (Bette Davis) to provide discount shops with cheap copies of Paris couture dresses. Lynn discovers that top designer Oscar Baroque (Reginald Owen) gets his inspiration from old costume books, and she begins to create designs the same way, signing each one with the name of an established designer.

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Sherwood realizes Baroque’s companion, the alleged Grand Duchess Alix (Verree Teasdale), is really Mabel McGuire, his old friend from Hoboken, New Jersey, and threatens to reveal her identity unless she convinces Baroque to design the costumes of a musical revue in which she will star. Baroque buys a supply of ostrich feathers from Sherwood’s crony Joe Ward (Hugh Herbert) and starts a fashion rage.

Sherwood then opens Maison Elegance, a new Paris fashion house that’s a great success until Baroque discovers Lynn is forging his sketches. He has him arrested, but Sherwood convinces the police to give him time to straighten out the situation. He crashes Baroque and Alix’s wedding and promises to humiliate the designer by publicly revealing who his bride really is unless Baroque withdraws the charges. The designer agrees and purchases Maison Elegance from Sherwood, who assures Lynn he’ll never get involved in another illegal activity if she returns to America with him.

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Cast

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Cast notes:

  • Arthur Treacher, appearing in his fourth Hollywood film, played his first part as a butler, a role he was to play many times in his long career.[1]

Production

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With this film, Warner Bros. chief Jack L. Warner tried to change Bette Davis‘ screen persona by putting her in a platinum blonde wig and false eyelashes and dressing her in glamorous costumes.

The actress, who had been trying to convince the studio head to loan her to RKO so she could portray slatternly waitress Mildred Rogers in Of Human Bondage, was appalled at the transformation, complaining they were trying to turn her into Greta Garbo.[2] In an interview with Photoplay editor Kathryn Dougherty, she complained, “I can’t get out of these awful ruts. They just won’t take me seriously.

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Look at me in this picture – all done up like a third-rate imitation of the MGM glamour queens. That isn’t me. I’ll never be a clothes horse or romantic symbol.”[3] To Gerald Clarke of Time she lamented, “I looked like somebody dressed up in mother’s clothes. But it was a great break because I learned from the experience. I never let them do that to me again. Ever!”[4]

Working titles for the film, which was filmed at Warner Bros. Burbank studios in 1933, were King of Fashion and Fashion Follies of 1934. Warners listed writers Gene Markey and Katherine Scola as having adapted the original story that was the basis of the film, but according to the Screen Writers Guild they had nothing to do with the film.[5]

Songs

The film’s musical numbers included “Spin a Little Web of Dreams” and “Broken Melody” by Sammy Fain and Irving Kahal and “Mon Homme (My Man)” by Maurice Yvain, Albert Willemetz, and Jacques Charles. Harry Warren wrote the untitled theme that accompanies the fashion show.

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Critical reception

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The New York Times described it as “a brisk show” and added, “The story is lively, the gowns are interesting and the Busby Berkeley spectacles with Hollywood dancing girls are impressive . . . William Dieterle, that expert director who has been responsible for several imaginative pictures, does well by this particular production.”[6]

Variety called it “a bit far-fetched and inconsistent . . . but it has color, flash, dash, class, girls and plenty of clothes . . . Just why and how Bette Davis enters the picture never quite rings true.”[7]

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References[edit]