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Locked Door, The (1929)


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Pre Code Hollywood Season: FD Cinematheque

The Locked Door (1929)

Barbara Stanwyck 58

Barbara Stanwyck 57

Director: George Fitzmaurice

Cast: Rod LaRocque, Barbara Stanwyck, William Stage Boyd, Betty Bronson, Harry Subbs, Mack Swain, ZaSu Pitts, George Bunny

74 min

The Locked Door is a 1929 American pre-Code drama film directed by George Fitzmaurice and starring Rod LaRocqueBarbara StanwyckWilliam “Stage” Boyd, and Betty Bronson.

The film is based on the play The Sign on the Door by Channing Pollock.[1] The play was first adapted for the screen in 1921 as The Sign on the Door, starring Norma Talmadge.[2] The Locked Door was Barbara Stanwyck’s second film appearance, first starring role, and first talking picture.

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Plot

Ann Carter (Barbara Stanwyck), an inexperienced young woman, accepts an invitation to dinner from Frank Devereaux (Rod LaRocque), the son of her employer. The date turns out to be far from what she expects. It is aboard a “rum boat”, a ship that sails beyond the 12 mile limit to get around the restrictions of Prohibition. Worse, Frank turns out to be a cad.

When she tries to leave, he locks the door and tries to force himself on her, tearing her dress. Fortunately, the ship drifts back into U.S. waters and a police raid stops him from going any further. When a photographer takes a picture of the two under arrest, Frank buys it from him.

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Eighteen months later, Ann is happily married to wealthy Lawrence Reagan (William “Stage” Boyd). They are about to celebrate their first wedding anniversary when Frank resurfaces in Ann’s life, this time as the boyfriend of her naive young sister-in-law, Helen (Betty Bronson). Though both Ann and her husband tell Helen that Frank is no good (Lawrence knows that Frank is having an affair with the wife of one of his friends), it is clear to Ann that Helen does not believe them.

Ann goes to Frank’s apartment to stop him from taking advantage of Helen. She hides when Lawrence shows up unexpectedly. He warns Frank to leave town before Lawrence’s friend catches up with him and shoots him. Frank had already planned to go, but when Lawrence declares that he intends to administer a beating first, Frank draws a gun. He is shot in the ensuing struggle. Lawrence leaves without being seen, unaware that his wife has heard the whole thing.

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To protect her husband, Ann phones the switchboard operator and reenacts her earlier assault, ending with her firing two shots. When the police arrive, the district attorney (Harry Mestayer) soon pokes holes in her story. Also, the photograph is found, providing a motive for murder. However, Frank is not yet dead; in his last few minutes of life, he explains what really happened, exonerating both Ann and Lawrence.

Cast

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References

  1. Jump up^ White Munden, Kenneth, ed. (1997). The American Film Institute Catalog of Motion Pictures Produced in the United States: Feature Films, 1921-1930. University of California Press. p. 445. ISBN 0-520-20969-9.
  2. Jump up^ White Munden 1997 pp.715-716

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Benson Murder Case, The (1930)


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Pre Code Hollywood Season: FD Cinematheque

The Benson Murder Case (1930)

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Director: Frank Tuttle

Cast: William Powell, William Stage Boyd, Eugene Pallette, Paul Lukas, Natalie Moorhead, Richard Tucker, May Beatty, E H Calvert, Mischa Auer, Guy Oliver

65 min

The Benson Murder Case is the first novel in the Philo Vance series of mystery novels by S. S. Van Dine, which became a best-seller.

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Plot outline

New York dilettante Philo Vance decides to assist the police in investigating the death of another man-about-town because he finds the psychological aspects of the crime of interest, and feels that they would be beyond the capacities of the police, even those of his friend District Attorney Markham.

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Vance investigates the circumstances under which the body was found and reconstructs the crime sufficiently to determine that the murderer is five feet, ten and a half inches in height. Together, Vance and Markham investigate Benson’s business associates and romantic interests until Vance manages to pierce the murderer’s alibi for the time of the murder and force a confession.

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Literary significance and criticism

The novel was very loosely based upon a real-life case that had made headlines, the unsolved 1920 murder of bridge expert Joseph Bowne Elwell.

It was considered a roman à clef because the circumstances under which Elwell’s body was found—he was shot to death in a room in his home which was found to be locked from the inside, and he was not wearing his toupee—are duplicated in the novel. Modern knowledge of ballistics reveals that one of the central premises of the novel is fanciful, because the reconstruction of the height of the murderer is impossible (Dashiell Hammett had said as much at the time, in a 1927 book review).

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“The first and best, partly because Van Dine had the real-life model of the Joseph Elwell murder (1920) to hold his fancy in check.”[1]

“Vance spots the murderer almost immediately but doesn’t reveal him, allowing Markham and Sergeant Heath to fix the guilt on five successive persons by circumstantial evidence.”[2]

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Film adaptations

Paramount Pictures released The Benson Murder Case (1930) a film version directed by Frank Tuttle and starring William Powell as Philo Vance. The film was moderately faithful to the plot of the novel. Paramount also released a Spanish-language version, El Cuerpo del Delito, written by Catalan writer Josep Carner Ribalta (1898–1988), and co-directed by Cyril Gardner and A. Washington Pezet.

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References

  1. Jump up^ Barzun, Jacques and Taylor, Wendell Hertig. A Catalogue of Crime. New York: Harper & Row. 1971, revised and enlarged edition 1989. ISBN 0-06-015796-8
  2. Jump up^ Roseman, Mill et al.. Detectionary. New York: Overlook Press, 1971. ISBN 0-87951-041-2

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