Tag Archives: 1930s cinema

Miriam Hopkins


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Prepared by Daniel B Miller

 

Ellen Miriam Hopkins

(October 18, 1902 – October 9, 1972) was an American film and TV actress known for her versatility.

She first signed with Paramount in 1930, working with Ernst Lubitsch and Joel McCrea, among many others. Her long-running feud with Bette Davis was publicized for effect.

Later she became a pioneer of TV drama. Hopkins was a distinguished Hollywood hostess, who moved in intellectual and creative circles.

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Miriam Hopkins in Dr Jekyll and Mr Hyde (1931)

Early life

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Hopkins was born in Savannah, Georgia to Homer Hopkins and Ellen Cutler and raised in Bainbridge, near the Alabama border. She had an older sister, Ruby (1900-1990). Her maternal great-grandfather, the fourth mayor of Bainbridge, helped establish St. John’s Episcopal Church, in Bainbridge, where Hopkins sang in the choir.

In 1909, she briefly lived in Mexico. After her parents separated, she moved as a teen with her mother to Syracuse, New York, to be near her uncle, Thomas Cramer Hopkins, head of the Geology Department at Syracuse University.

She attended Goddard Seminary in Barre, Vermont (which later became Goddard College in Plainfield, Vermont) and Syracuse University (in New York). She became estranged from her father, and when in 1922 at the age of 19 she applied for a passport in preparation for a theatrical tour of South America, she listed his address as “unknown.”
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Career

At age 20, Hopkins became a chorus girl in New York City. In 1930, she signed with Paramount Pictures, and made her official film debut in Fast and Loose. Her first great success was in the 1931 horror drama film Dr. Jekyll and Mr. Hyde, in which she portrayed the character Ivy Pearson, a prostitute who becomes entangled with Jekyll and Hyde. Hopkins received rave reviews, but because of the potential controversy of the film and her character, many of her scenes were cut before the official release, reducing her screen time to approximately five minutes.

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Fast and Loose (1930) Poster

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Miriam Hopkins in Fast and Loose (1930)

Miriam Hopkins in Fast and Loose (1930)

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Dr Jekyll and Mr Hyde (1931) Poster

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Dr. Jekyll And Mr Hyde, lobby card. Dr. Jekyll And Mr Hyde, from left, Miriam Hopkins, Fredric March, Rose Hobart, 1931. (Photo by LMPC via Getty Images)

Dr Jekyll and Mr Hyde (1931) Lobby Card

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Dr Jekyll and Mr Hyde (1931) Lobby Card

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Dr Jekyll and Mr Hyde (1931) Lobby Card

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Fredric March and Miriam Hopkins in Dr Jekyll and Mr Hyde (1931)

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Fredric March and Miriam Hopkins in Dr Jekyll and Mr Hyde (1931)

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Fredric March Rose Hobart and Miriam Hopkins in Dr Jekyll and Mr Hyde (1931)

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Fredric March and Miriam Hopkins in Dr Jekyll and Mr Hyde (1931)

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Fredric March and Miriam Hopkins in Dr Jekyll and Mr Hyde (1931)

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Fredric March Rose Hobart and Miriam Hopkins in Dr Jekyll and Mr Hyde (1931)

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Fredric March and Miriam Hopkins in Dr Jekyll and Mr Hyde (1931)

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Fredric March Rouben Mamoulian and Miriam Hopkins on the set of Dr Jekyll and Mr Hyde (1931)

Nevertheless, her career ascended swiftly thereafter and in 1932 she scored her breakthrough in Ernst Lubitsch‘s Trouble in Paradise, where she proved her charm and wit as a beautiful and jealous pickpocket. During the pre-code Hollywood of the early 1930s, she appeared in The Smiling Lieutenant, The Story of Temple Drake and Design for Living, all of which were box office successes and critically acclaimed.

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Trouble in Paradise (1932) Poster

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Herbert Marshall and Miriam Hopkins in Trouble in Paradise (1932)

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Miriam Hopkins and Kay Francis in Trouble in Paradise (1932)

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Kay Francis, Herbert Marshall and Kay Francis in Trouble in Paradise (1932)

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Miriam Hopkins and Herbert Marshall in Trouble in Paradise (1932)

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Trouble in Paradise (1932) Lobby Card

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Herbert Marshall and Miriam Hopkins in Trouble in Paradise (1932)

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The Smiling Lieutenant (1931) Lobby Card

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On the set of The Smiling Lieutenant (1931)

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The Smiling Lieutenant (1931) Press Book

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The Story of Temple Drake (1933) Poster

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The Story of Temple Drake (1933) Lobby Card

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The Story of Temple Drake (1933) Lobby Card

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Miriam Hopkins and Jack La Rue in The Story of Temple Drake (1933)

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Miriam Hopkins in The Story of Temple Drake (1933)

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Miriam Hopkins and Jack La Rue in The Story of Temple Drake (1933)

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Miriam Hopkins in The Story of Temple Drake (1933)

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The Story of Temple Drake (1933) Press Sheet

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Miriam Hopkins in The Story of Temple Drake (1933)

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Design for Living (1933) Poster

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Design for Living (1933) Poster

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Design for Living (1933) Lobby Card

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Design for Living (1933) Lobby Card

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Design for Living (1933) Lobby Card

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Gary Cooper and Fredric March in Design for Living (1933)

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Fredric March, Miriam Hopkins and Gary Cooper in Design for Living (1933)

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 Gary Cooper, Fredric March and Miriam Hopkins in Design for Living (1933)6095691_1

Design for Living (1933) Lobby Card

Her pre-Code films were considered risqué at the time, with The Story of Temple Drake depicting a rape scene and Design for Living featuring a ménage à trois with Fredric March and Gary Cooper.

She also had success during the remainder of the decade with the romantic comedy The Richest Girl in the World (1934), the historical udrama Becky Sharp (1935), for which she was nominated for the Academy Award for Best Actress, Barbary Coast (1935), These Three (1936) (the first of four films with director William Wyler) and The Old Maid (1939).

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The Richest Girl in the World (1934) Poster

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Miriam Hopkins in The Richest Girl in the World (1934) 

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Joel McCrea and Miriam Hopkins in The Richest Girl in the World (1934) 

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Miriam Hopkins in The Richest Girl in the World (1934)

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Becky Sharp (1935) Poster

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Miriam Hopkins in Becky Sharp (1935)

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Becky Sharp (1935) Poster

 

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Becky Sharp (1935) Poster

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Miriam Hopkins in Becky Sharp (1935) Production Still

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Miriam Hopkins in Becky Sharp (1935) 

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Miriam Hopkins in Becky Sharp (1935) 

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Becky Sharp (1935) Magazine Cover 

 

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Barbary Coast (1935) Poster

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Barbary Coast AKA Port of Wickedness (1935) Lobby Card

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Barbary Coast AKA Port of Wickedness (1935) Poster

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Barbary Coast AKA Port of Wickedness (1935) Lobby Card

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Miriam Hopkins in Barbary Coast AKA Port of Wickedness (1935)  

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Miriam Hopkins in Barbary Coast AKA Port of Wickedness (1935)  

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These Three (1936) Poster

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These Three (1936) Poster

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These Three (1936) Production Still

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These Three (1936) Poster

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These Three (1936) Lobby Cards

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These Three (1936) Poster

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The Old Maid (1939) Poster

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Bette Davis, George Brent and Miriam Hopkins in The Old Maid (1939)

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The Old Maid (1939) Poster

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The Old Maid (1939) Lobby Card

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The Old Maid (1939) Poster

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Bette Davis and Miriam Hopkins in The Old Maid (1939) 

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Bette Davis, Miriam Hopkins and George Brent in The Old Maid (1939)

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The Old Maid (1939) Poster

Hopkins was one of the first actresses approached to play the role of Ellie Andrews in It Happened One Night (1934). However, she rejected the part, and Claudette Colbert was cast instead. She did audition for the role of Scarlett O’Hara in Gone with the Wind, having one advantage none of the other candidates had: she was a native Georgian. But the part went to Vivien Leigh. Interestingly, both Colbert and Leigh won Oscars for their performances.

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Hopkins had well-publicized fights with her arch-enemy Bette Davis (Hopkins believed Davis was having an affair with Hopkins’ husband at the time, Anatole Litvak), when they co-starred in their two films The Old Maid (1939) and Old Acquaintance(1943).

Davis admitted to enjoying very much a scene in Old Acquaintance in which she shakes Hopkins forcefully during a scene where Hopkins’ character makes unfounded allegations against Davis’s. There were even press photos taken with both divas in a boxing ring with gloves up and director Vincent Sherman between the two. Davis described Hopkins as a “terribly good actress” but also “terribly jealous” in later interviews.

 

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Old Acquaintance (1943) Poster 

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Miriam Hopkins in Old Acquaintance (1943) 

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Old Acquaintance (1943) Poster 

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Old Acquaintance (1943) Poster 

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Miriam Hopkins and Bette Davis in Old Acquaintance (1943) 

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Old Acquaintance (1943) Lobby Card

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Bette Davis and Miriam Hopkins in Old Acquaintance (1943) 

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Old Acquaintance (1943) Lobby Card

After Old Acquaintance, Hopkins did not work again in films until The Heiress (1949), where she played the lead character’s aunt. In Mitchell Leisen‘s 1951’s comedy The Mating Season, she gave a comic performance as Gene Tierney‘s character’s mother. She also acted in The Children’s Hour, which is the theatrical basis of her film These Three (1936). In the remake, she played the aunt to Shirley MacLaine, who took Hopkins’ original role.

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The Heiress (1949) Poster

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The Heiress (1949) Lobby Card

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The Heiress (1949) Lobby Card

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The Heiress (1949) Lobby Cards

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The Mating Season (1951) Poster

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Gene Tierney and Miriam Hopkins in The Mating Season (1951) 

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The Children’s Hour (1961) Poster

Hopkins was a television pioneer, performing in teleplays in three decades, spanning the late 1940s through the late 1960s, in such programs as The Chevrolet Tele-Theatre (1949), Pulitzer Prize Playhouse (1951), Lux Video Theatre (1951–1955), The Outer Limits (1964) and even an episode of The Flying Nun in 1969.

She has two stars on the Hollywood Walk of Fame: one for motion pictures at 1701 Vine Street, and one for television at 1708 Vine Street.

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Miriam Hopkins

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The Playhouse Theatre Programme

 

Private life

Hopkins was married and divorced four times: first to actor Brandon Peters, second to aviator, screenwriter Austin Parker, third to the director Anatole Litvak, and fourth to war correspondent Raymond B. Brock. In 1932, Hopkins adopted a son, Michael T. Hopkins (March 29, 1932 – October 5, 2010).

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Brandon Peters

 

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Austin Parker

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Anatole Litvak

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Miriam Hopkins and Anatole Litvak

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Miriam Hopkins and Anatole Litvak

She was known for hosting elegant parties. John O’Hara, a frequent guest, noted that

most of her guests were chosen from the world of the intellect…Miriam knew them all, had read their work, had listened to their music, had bought their paintings. They were not there because a secretary had given her a list of highbrows.

She was a staunch Democrat who strongly supported the presidency of Franklin D. Roosevelt.

Death

Hopkins died in New York City from a heart attack nine days before her 70th birthday. She is buried in Oak City Cemetery in Bainbridge, Georgia.

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Miriam Hopkins Grave

Filmography

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Year Title Role Notes
1930 Fast and Loose Marion Lenox Hopkins’s film debut
1931 The Smiling Lieutenant Princess Anna The first of three films Hopkins made with Lubitsch
1931 24 Hours Rosie Duggan
1931 Dr. Jekyll and Mr. Hyde Ivy Pearson
1932 Two Kinds of Women Emma Krull
1932 Dancers in the Dark Gloria Bishop
1932 The World and the Flesh Maria Yaskaya
1932 Trouble in Paradise Lily Second film directed by Lubitsch and starring Hopkins
1933 The Story of Temple Drake Temple Drake
1933 The Stranger’s Return Louise Starr
1933 Design for Living Gilda Farrell Third and final film Hopkins and Lubitsch made together
1934 All of Me Lydia Darrow
1934 She Loves Me Not Curly Flagg
1934 The Richest Girl in the World Dorothy Hunter First of five films Hopkins and McCrea made together
1935 Becky Sharp Becky Sharp Nominated – Academy Award for Best Actress
The first feature film made in the three strip Technicolor process
1935 Barbary Coast Mary ‘Swan’ Rutledge Second film starring Hopkins and McCrea
1935 Splendor Phyllis Manning Lorrimore Third film starring Hopkins and McCrea
1936 These Three Martha Dobie The film was adapted from the 1934 play The Children’s Hour by Lillian Hellman.
Fourth film starring Hopkins and McCrea
1936 Men Are Not Gods Ann Williams
1937 The Woman I Love Madame Helene Maury Hopkins married director Anatole Litvak shortly after this film was made.
It is the only film Hopkins made with Paul Muni
1937 Woman Chases Man Virginia Travis Final film Hopkins and McCrea made together
1937 Wise Girl Susan ‘Susie’ Fletcher
1939 The Old Maid Delia Lovell Ralston The first of two films Hopkins made with Bette Davis
1940 Virginia City Julia Hayne Hopkins co-starred with Errol Flynn
1940 Lady with Red Hair Mrs. Leslie Carter
1942 A Gentleman After Dark Flo Melton
1943 Old Acquaintance Millie Drake Second of two films Hopkins made with Bette Davis.
1949 The Heiress Lavinia Penniman Nominated – Golden Globe Award for Best Supporting Actress – Motion Picture
1951 The Mating Season Fran Carleton
1952 The Outcasts of Poker Flat Mrs. Shipton/’The Duchess’
1952 Carrie Julie Hurstwood
1961 The Children’s Hour Lily Mortar Hopkins had starred in the original film adaptation of the play The Children’s Hour entitled These Three in the role of Martha Dobie. In this film Shirley MacLaine played Martha and Miriam Hopkins played her Aunt Lily.
1964 Fanny Hill Mrs. Maude Brown
1966 The Chase Mrs. Reeves Hopkins played the mother of Robert Redford’s character
1970 Savage Intruder Katharine Parker Hopkins’s last film

Short Subjects:

  • “The Home Girl” (1928)
  • “Hollywood on Parade No. B-1” (1933)

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References

  1. Jump up^ Obituary Variety, October 11, 1972, p. 71.
  2. Jump up^ Virginia, Marriage Records 1936-2014
  3. Jump up^ 1910 United States Federal Census
  4. Jump up^ http://www.episcopalchurch.org/parish/st-johns-episcopal-church-bainbridge-ga
  5. Jump up^ “Miriam Hopkins (1902-1972)”. Georgiaencyclopedia.org. August 28, 2013. Retrieved October 17, 2015.
  6. ^ Jump up to:ab Profile, archives.syr.edu; accessed June 27, 2015.
  7. Jump up^ [Ancestry.com] U.S. Passports Applications, 1795-1925, “Meriam Hopkins, Passport Issue Date 30 January 1922”
  8. Jump up^ Profile, allanellenberger.com; accessed June 27, 2015.
  9. Jump up^ Profile, imdb.com; accessed June 27, 2015.
  10. Jump up^ Wiley, Mason; Damien Bona (1987). Inside Oscar: The Unofficial History of the Academy Awards. Ballantine Books. p. 54. ISBN0-345-34453-7.
  11. Jump up^ Soares, Andre (December 3, 2006). “Miriam Hopkins Biography in the Works”. Alternative Film Guide.
  12. Jump up^ “TimesMachine”. Timesmachine.nytimes.com. Retrieved October 17, 2015.
  13. Jump up^ Michael Janeway (August 22, 2009). The Fall of the House of Roosevelt: Brokers of Ideas and Power from FDR to LBJ. Books.google.com. Retrieved October 17,2015.

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White Woman (1933)


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Pre Code Hollywood Season: FD Cinematheque

White Woman (1933)

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Director: Stuart Walker

Cast: Carole Lombard, Charles Laughton, Charles Bickford, Kent Taylor,  Percy Kilbride, James Bell, Charles Middleton, Claude King, Ethel Griffies

68 min

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White Woman is a 1933 American pre-Code drama film directed by Stuart Walker and starring Carole LombardCharles Laughton, and Charles Bickford.[1] A young widow remarries and accompanies her husband to his remote jungle rubber plantation. The film was based on the Broadway play Hangman’s Whip by Norman Reilly Raine and Frank Butler.[2]

One of hundreds of Paramount films held in limbo by Universal Studios. Universal gained ownership of Paramount features produced between 1929 and 1949. Paramount remade the film in 1939 as Island of Lost Men, with Anna May WongJ. Carrol Naish and Broderick Crawford in the roles originated by Lombard, Laughton and Bickford. It was directed by Kurt Neumann.[3]

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Plot

Judith Denning, a beautiful cafe singer in Malay, has been forced to leave town after town because of gossip that says her husband’s suicide was on account of her infidelity. Upright British lawyer C. M. Chisholm accuses Judith of being a “loose white woman” who is tempting the natives and forces her to leave town by getting her fired.

Horace H. Prin, “King of the Jungle,” then offers to marry her. Prin takes Judith to his jungle home on the river, where he has been running a trading outfit for twenty years. Prin’s white management crew consists largely of criminal exiles whose secret pasts he uses as leverage to get them to remain under his ruthless tyranny.

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When Hambly, who runs a station up the river, insists that the poor diet Prin has been feeding the native workers is breeding insurrection among them, Prin has him killed. Overseer David von Elst, who has not seen a white woman in ten years, quickly falls in love with Judith. A month after Judith’s arrival, she and David decide to run away, but when they confront Prin, he refuses to give them a boat and sends David up the river to take Hambly’s place at Gubar.

David, meanwhile, has told Judith he deserted his regiment after natives decapitated his partner and threw his head through David’s window. Since then he has lacked the courage to fight Prin and return to society. Ballister, the new tough overseer, then arrives and immediately asks Judith for a “tumble,” undaunted by Prin’s eccentric tyranny. When two tribal chiefs request the right to deal with other traders, Prin foolishly refuses them, and they prepare for war against him.

The natives kill Connors, one of Prin’s men, and throw his head through David’s window, after which David finally regains his nerve and travels through the dangerous jungle to warn Judith. David and Judith prepare to leave, but Prin drains their boat of gas. Ballister, sympathetic to the lovers, warns them to take another boat. When Prin shoots his pet baby ape, “Duke,” Jakey, Prin’s most faithful white servant, throws his machine guns in the river and leaves with David and Judith. Ballister and Prin play poker and drink as the natives approach, armed with spears. After Ballister is killed, Prin declares he is forever king of the jungle and walks out into the onslaught of spears.

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Cast

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References

  1. Jump up^ The American Film Institute Catalog Feature Films: 1931-40 published by The American Film Institute c.1993
  2. Jump up^ Hangman’s Whip, St. James Theatre, February 24, 1933, IBDb.com; accessed August 5, 2015.
  3. Jump up^ The American Film Institute Catalog Feature Films: 1931-40 published by The American Film Institute, c. 1993

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Ten Cents a Dance (1931)


Pre Code Logo 1

Pre Code Hollywood Season: FD Cinematheque

Ten Cents a Dance (1931)

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Directors: Lionel Barrymore, Edward Buzzell

Cast: Barbara Stanwyck, Ricardo Cortez, Monroe Owsley, Sally Blane, Blanche Friderici, Phyllis Crane, Olive Tell, Victor Potel, Al Hill, Jack Byron

75 min

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Ten Cents a Dance is a 1931 American pre-Code romance-drama film directed by Lionel Barrymore and starring Barbara Stanwyck as a married taxi dancer who falls in love with one of her customers. The film was inspired by the popular song of the same name, which is sung over the title sequence.[1]

Plot

A beautiful streetwise taxi dancer named Barbara O’Neill (Barbara Stanwyck) works at a New York City dance hall called Palais de Dance. One of the dance hall’s wealthy patrons, Bradley Carlton (Ricardo Cortez), comes to the hall and gives Barbara $100.

Concerned about her unemployed friend and neighbor Eddie Miller (Monroe Owsley), Barbara asks Bradley to give him a job, and he agrees. That night they have dinner together.

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When Barbara gets home, Eddie is in the process of packing his bags; he can no longer afford to pay his rent. Barbara gives him the $100 she received from Bradley and tells him about his new job. Later, Eddie and Barbara meet in the park and realize that they are in love.

The next night at the dance hall, Barbara receives a gift of a new dress, but is disappointed when she sees that it was sent by Bradley. Eddie arrives at the dance hall and asks Barbara to marry him. Barbara accepts his proposal and soon quits her job.

Five months later, Eddie meets an old friend Ralph Sheridan and his sister Nancy, and does not reveal that he is now married. They play cards together and Eddie loses $240, something he does not tell his wife.

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He claims to be at a convention, but in fact he meets a woman named Nancy. Later, Eddie returns to find the rent and utilities past due because he has spent his pay gambling. Meanwhile, Barbara returns to work at the dance hall, where she sees Bradley occasionally.

Later, Barbara returns home and discovers Eddie packing his bags. Admitting that he stole $5,000 from Bradley’s office safe, he tells her that he lost that money playing the stock market. Barbara is able to talk him into staying, and she visits Bradley and asks him for a $5,000 loan. Bradley agrees because he is in love with her.

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The next morning, Barbara presents the money to Eddie who accepts it immediately. When Eddie returns from work, he and Barbara engage in a jealous fight. Soon after, she packs her belongings and returns to the dance hall, where she is met by Bradley who has two tickets for the Ile de France, where Barbara can obtain a divorce and marry him.

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Cast

(Cast list as per AFI‘s database[2])

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References[edit]

  1. Jump up^ Hall, Mordaunt (March 7, 1931). “The $10,000 Kiss. Strange Temperaments. In a Dance Hall. Screen Notes.”The New York Times. Retrieved February 13, 2014.
  2. Jump up^ “Ten Cents a Dance: Detail View”. American Film Institute. Retrieved December 15, 2014.

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